Tonal Harmony
Autor Stefan Kostka, Byron Alménen Limba Engleză Hardback – 12 ian 2023
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Specificații
ISBN-13: 9781264094752
ISBN-10: 1264094752
Pagini: 704
Dimensiuni: 206 x 258 x 30 mm
Greutate: 1.43 kg
Ediția:9th edition
Editura: McGraw Hill LLC
Locul publicării:United States
ISBN-10: 1264094752
Pagini: 704
Dimensiuni: 206 x 258 x 30 mm
Greutate: 1.43 kg
Ediția:9th edition
Editura: McGraw Hill LLC
Locul publicării:United States
Cuprins
Part I: Fundamentals
Chapter 1: Elements of Pitch
Chapter 2: Elements of Rhythm
Chapter 3: Introduction to Triads and Seventh Chords
Chapter 4: Diatonic Chords in Major and Minor Keys
Part II: Diatonic Triads
Chapter 5: Principles of Voice Leading
Chapter 6: Root Position Part Writing
Chapter 7: Harmonic Progression and the Sequence
Chapter 8: Triads in First Inversion
Chapter 9: Triads in Second Inversion
Chapter 10: Cadences, Phrases, Periods, and Sentences
Chapter 11: Two-Part Tonal Counterpoint
Chapter 12: Nonchord Tones 1
Chapter 13: Nonchord Tones 2
Part III: Diatonic Seventh Chords
Chapter 14: The V7 Chord
Chapter 15: Other Diatonic Seventh Chords
Part IV: Chromaticism
Chapter 16: Secondary Functions 1
Chapter 17: Secondary Functions 2
Chapter 18: Modulations Using Diatonic Common Chords
Chapter 19: Some Other Modulatory Techniques
Chapter 20: Larger Forms
Part V: Chromaticism 2
Chapter 21: Mode Mixture and the Neapolitan
Chapter 22: Augmented Sixth Chords
Chapter 23: Enharmonic Spellings and Enharmonic Modulations
Chapter 24: Further Elements of the Harmonic Vocabulary
Chapter 25: Tonal Harmony in the Late Nineteenth Century
Part VI: An Introduction to Twentieth-Century Music
Chapter 26: Materials and Techniques
Chapter 27: Post-Tonal Theory
Chapter 28: New Directions
Chapter 1: Elements of Pitch
Chapter 2: Elements of Rhythm
Chapter 3: Introduction to Triads and Seventh Chords
Chapter 4: Diatonic Chords in Major and Minor Keys
Part II: Diatonic Triads
Chapter 5: Principles of Voice Leading
Chapter 6: Root Position Part Writing
Chapter 7: Harmonic Progression and the Sequence
Chapter 8: Triads in First Inversion
Chapter 9: Triads in Second Inversion
Chapter 10: Cadences, Phrases, Periods, and Sentences
Chapter 11: Two-Part Tonal Counterpoint
Chapter 12: Nonchord Tones 1
Chapter 13: Nonchord Tones 2
Part III: Diatonic Seventh Chords
Chapter 14: The V7 Chord
Chapter 15: Other Diatonic Seventh Chords
Part IV: Chromaticism
Chapter 16: Secondary Functions 1
Chapter 17: Secondary Functions 2
Chapter 18: Modulations Using Diatonic Common Chords
Chapter 19: Some Other Modulatory Techniques
Chapter 20: Larger Forms
Part V: Chromaticism 2
Chapter 21: Mode Mixture and the Neapolitan
Chapter 22: Augmented Sixth Chords
Chapter 23: Enharmonic Spellings and Enharmonic Modulations
Chapter 24: Further Elements of the Harmonic Vocabulary
Chapter 25: Tonal Harmony in the Late Nineteenth Century
Part VI: An Introduction to Twentieth-Century Music
Chapter 26: Materials and Techniques
Chapter 27: Post-Tonal Theory
Chapter 28: New Directions