To Be an Actress
Autor Nava Shean Traducere de Michelle Fram Cohenen Limba Engleză Paperback – 13 apr 2010
The memoir provides first-hand account of life in Terezin concentration camp and the incredible artistic activity under the shadow of the transports to the death camps. It also portrays the author's reconnection with her Jewish heritage against the background of her family's assimilation. Upon her arrival in Israel in 1948, Ms. Shean took part in the development of the Israeli theater, an alliance that continued into the 1980s and culminated in her one-woman show Requiem in Terezin.
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Specificații
ISBN-13: 9780761850274
ISBN-10: 0761850279
Pagini: 165
Dimensiuni: 155 x 234 x 10 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Hamilton Books
Locul publicării:New York, United States
ISBN-10: 0761850279
Pagini: 165
Dimensiuni: 155 x 234 x 10 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Hamilton Books
Locul publicării:New York, United States
Cuprins
Chapter 1 "The Historical Context of To Be An Actress
Chapter 2 "Nava's Two Names"
Chapter 3 Acknowledgements
Chapter 4 1. Youth
Chapter 5 2. Terezin
Chapter 6 3. Back in Prague
Chapter 7 4. New Life
Chapter 8 5. Hubert
Chapter 9 Notes
Chapter 2 "Nava's Two Names"
Chapter 3 Acknowledgements
Chapter 4 1. Youth
Chapter 5 2. Terezin
Chapter 6 3. Back in Prague
Chapter 7 4. New Life
Chapter 8 5. Hubert
Chapter 9 Notes
Recenzii
To Be an Actress provides a glimpse into the pre-Holocaust Czech theater scene, the life of the arts in Terezin concentration camp, and the world of Israeli drama in the early years of the state. The struggle to follow one's vocation and practice one's art despite fascism, sexism, and migration is clearly delineated throughout the book. Nava Shean is an impressive person, and Michelle Fram Cohen did an admirable job of translating this work. Having been prompted by the well known Israeli novelist Nava Semel to write her memoirs, Nava Shean may not be a seasoned writer, but therein lies some of the book's charm. For those particularly interested in the place of displaced European actors in early Israeli theater culture, or those who want to better understand how theater thrived at the heart of a concentration camp, this book is extremely valuable. Nava's depiction of the attitude of the kibbutz movement toward its resident artists in the 1950s is also fascinating, as is her discussion of trying to raise her daughter as a single mother while meeting the arduous demands of her dramatic profession. I enjoyed the book and am thrilled that it is now available to an English-reading audience.
To Be an Actress is a splendid opportunity to look into the heart and mind of a dedicated actor. And, incidentally, to find out what acting-even under the most stressful circumstances-is all about.
This unique and moving memoir was written by a woman who dreamed of becoming an actress as a child, performed regularly as a prisoner in the Terezin Ghetto, and survived to become a staple of the Israeli stage. Reading it, we witness the enormous saving and healing power of art.
To Be an Actress is a splendid opportunity to look into the heart and mind of a dedicated actor. And, incidentally, to find out what acting-even under the most stressful circumstances-is all about.
This unique and moving memoir was written by a woman who dreamed of becoming an actress as a child, performed regularly as a prisoner in the Terezin Ghetto, and survived to become a staple of the Israeli stage. Reading it, we witness the enormous saving and healing power of art.