Thinking Through Theatre and Performance: Thinking Through Theatre
Editat de Maaike Bleeker, Adrian Kear, Joe Kelleher, Professor Heike Romsen Limba Engleză Hardback – 7 feb 2019
Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world.
Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.
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Specificații
ISBN-13: 9781472579614
ISBN-10: 1472579615
Pagini: 336
Ilustrații: 30 bw illus
Dimensiuni: 176 x 248 x 24 mm
Greutate: 0.74 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Thinking Through Theatre
Locul publicării:London, United Kingdom
ISBN-10: 1472579615
Pagini: 336
Ilustrații: 30 bw illus
Dimensiuni: 176 x 248 x 24 mm
Greutate: 0.74 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Thinking Through Theatre
Locul publicării:London, United Kingdom
Cuprins
Introduction, by Maaike Bleeker, Adrian Kear, Joe Kelleher and Heike Roms
Part 1: Watching
1. Why study drama? by Joe Kelleher (University of Roehampton, London, UK)
2. What do performances do to spectators? by Maaike Bleeker (Utrecht University, Netherlands)
3. How can the theatre be fully accessible? by Colette Conroy (University of Hull, UK)
4. How does stage performance think through cultural convention? by Sean Metzger (UCLA, USA)
5. How does theatre represent economic systems? by Louise Owen (Birkbeck, University of London, UK)
Part 2: Performing
6. What is Black dance? What can it do? by Thomas F. DeFrantz (Duke University, USA)
7. How does scenography think? by Liesbeth Groot Nibbelink (Utrecht University, Netherlands)
8. How does theatre think through things? by Mike Pearson (Aberystwyth University, UK)
9. How does theatre think through incorporating media? by Steve Dixon (LASALLE College of the Arts in Singapore)
10. How does the trained body think? by Broderick D.V. Chow (Brunel University London, UK)
11. How does theatre think through work? by Theron Schmidt (University of New South Wales, Sydney, Australia)
Part 3: Traces
12. What is an intercultural exchange? by Miguel Escobar Varela (National University of Singapore)
13. What is the impact of theatre and performance? by Sruti Bala (University of Amsterdam, Netherlands)
14. Does staging historical trauma reenact it? by Tavia Nyong'o (Yale University, USA)
15. How does theatre think through politics? by Jazmin Badong Llana (De La Salle University, Philippines)
16. How and why are performances documented? by Heike Roms (University of Exeter, UK)
Part 4: Interventions
17. How can performance disrupt institutional spaces? by Dominic Johnson (Queen Mary University of London, UK)
18. How does theatre think through ecology? by Carl Lavery (University of Glasgow, UK)
19. How does choreography think 'through' society? by Bojana Cvejic (Oslo National Academy of the Arts, Norway)
20. How does theatricality legitimize the law? by Sophie Nield (Royal Holloway, University of London, UK)
21. How does theatre think through theatricality? by Adrian Kear (University of the Arts London, UK)
Index
Part 1: Watching
1. Why study drama? by Joe Kelleher (University of Roehampton, London, UK)
2. What do performances do to spectators? by Maaike Bleeker (Utrecht University, Netherlands)
3. How can the theatre be fully accessible? by Colette Conroy (University of Hull, UK)
4. How does stage performance think through cultural convention? by Sean Metzger (UCLA, USA)
5. How does theatre represent economic systems? by Louise Owen (Birkbeck, University of London, UK)
Part 2: Performing
6. What is Black dance? What can it do? by Thomas F. DeFrantz (Duke University, USA)
7. How does scenography think? by Liesbeth Groot Nibbelink (Utrecht University, Netherlands)
8. How does theatre think through things? by Mike Pearson (Aberystwyth University, UK)
9. How does theatre think through incorporating media? by Steve Dixon (LASALLE College of the Arts in Singapore)
10. How does the trained body think? by Broderick D.V. Chow (Brunel University London, UK)
11. How does theatre think through work? by Theron Schmidt (University of New South Wales, Sydney, Australia)
Part 3: Traces
12. What is an intercultural exchange? by Miguel Escobar Varela (National University of Singapore)
13. What is the impact of theatre and performance? by Sruti Bala (University of Amsterdam, Netherlands)
14. Does staging historical trauma reenact it? by Tavia Nyong'o (Yale University, USA)
15. How does theatre think through politics? by Jazmin Badong Llana (De La Salle University, Philippines)
16. How and why are performances documented? by Heike Roms (University of Exeter, UK)
Part 4: Interventions
17. How can performance disrupt institutional spaces? by Dominic Johnson (Queen Mary University of London, UK)
18. How does theatre think through ecology? by Carl Lavery (University of Glasgow, UK)
19. How does choreography think 'through' society? by Bojana Cvejic (Oslo National Academy of the Arts, Norway)
20. How does theatricality legitimize the law? by Sophie Nield (Royal Holloway, University of London, UK)
21. How does theatre think through theatricality? by Adrian Kear (University of the Arts London, UK)
Index
Recenzii
An ideal textbook for introducing ideas of 'performance philosophy' within a range of curricular concerns . seasoned readers will equally find inspiration.
[Thinking Through Theatre and Performance] boasts an impressive array of international Anglophone scholars who address a range of questions that are important for any student of theatre and theatre-making practice.
[Thinking Through Theatre and Performance] boasts an impressive array of international Anglophone scholars who address a range of questions that are important for any student of theatre and theatre-making practice.