Theatrical Topographies: Spatial Crises in Uruguayan Theater Post-2001
Autor Sarah M. Misemeren Limba Engleză Hardback – 5 iun 2017
The introduction launches the study by addressing these political and economic trends, the spatial turn in theater and performance studies, the rise of multiculturalism, and also examines the Uruguayan historical context of the post-dictatorship and impunity laws that pit national sovereignty against international human rights laws. These crises are enacted on the Uruguayan stage and contextualized through networks and spatial topographies, intertextualties on the page, explorations of history and memory, and ultimately notions of identity in four areas: the postdramatic and economic realm (chapter one: Peveroni), cultural geography and pyschogeography (chapter two: Morena), midrash and questions of human rights and growing fascist trends (chapter three: Sanguinetti), and finally in mapmaking on the stage through mise-en-perf/performise and "wayfinding" through sites of contested power (chapter four: Calderón). The concluding chapter (Blanco) looks at the reinterpretation of Greek tragedy as a commentary on the messy process of democratization. Here, access to the polis and power are problematized through the lens of international sex trafficking and gendered roles that exclude portions of the populace from participation in the process of self-governance.
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Specificații
ISBN-13: 9781611487978
ISBN-10: 1611487978
Pagini: 242
Ilustrații: 5 BW Photos
Dimensiuni: 159 x 237 x 24 mm
Greutate: 0.53 kg
Editura: Bloomsbury Publishing
Colecția Bucknell University Press
Locul publicării:New York, United States
ISBN-10: 1611487978
Pagini: 242
Ilustrații: 5 BW Photos
Dimensiuni: 159 x 237 x 24 mm
Greutate: 0.53 kg
Editura: Bloomsbury Publishing
Colecția Bucknell University Press
Locul publicării:New York, United States
Cuprins
Acknowledgments
List of Illustrations
Introduction: Spatial Crises and Theatrical Topographies p.1
Chapter 1: Textual Landscapes: Postdramatic Triptychs, Bifurcations, and Bio-Politics in Gabriel Peveroni's Trilogy
Chapter 2: Alternative Cartographies: Marianella Morena's Women's Spaces and Journeys
Chapter 3: Deluges, Holocausts, and Neo-Fascism: Exposing the Gaps through Performance Space in Santiago Sanguinetti's in Ararat and Nuremberg
Chapter 4: Mapmaking and Wayfinding in Gabriel Calderón's Staged Worlds
Conclusion: Sergio Blanco's Kassandra Complex: Transvestite Performances and Clothing Landscapes
Bibliography
Index
About the Author
List of Illustrations
Introduction: Spatial Crises and Theatrical Topographies p.1
Chapter 1: Textual Landscapes: Postdramatic Triptychs, Bifurcations, and Bio-Politics in Gabriel Peveroni's Trilogy
Chapter 2: Alternative Cartographies: Marianella Morena's Women's Spaces and Journeys
Chapter 3: Deluges, Holocausts, and Neo-Fascism: Exposing the Gaps through Performance Space in Santiago Sanguinetti's in Ararat and Nuremberg
Chapter 4: Mapmaking and Wayfinding in Gabriel Calderón's Staged Worlds
Conclusion: Sergio Blanco's Kassandra Complex: Transvestite Performances and Clothing Landscapes
Bibliography
Index
About the Author