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The New Beethoven – Evolution, Analysis, Interpretation de Jeremy Yudkin

The New Beethoven – Evolution, Analysis, Interpretation: Eastman Studies in Music

Autor Jeremy Yudkin, Alan Gosman, Barbara Barry, Barry Cooper, Bruce Adolphe
en Limba Engleză Hardback – 31 aug 2020
Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
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Specificații

ISBN-13: 9781580469937
ISBN-10: 1580469930
Pagini: 572
Dimensiuni: 118 x 231 x 35 mm
Greutate: 0.93 kg
Editura: Boydell and Brewer
Seria Eastman Studies in Music

Cuprins

Preface - Jeremy Yudkin Introduction - Jeremy Yudkin PART ONE: A Creative Life Of Deserters and Orphans: Beethoven's Early Exposure to the Opéras-comiques of Monsigny - Steven Moore Whiting "A really excellent and capable man": Beethoven and Johann Traeg - David Wyn Jones A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song Ruf vom Berge, WoO 147 - Michael Ladenburger "Where Thought Touches the Blood": Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process - Bruce Adolphe The Sanctification of Beethoven in 1828 - Christopher Reynolds PART TWO: Prometheus/"Eroica" The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities - Alan Gosman Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity - William Kinderman 'Mit Verstärkung des Orchesters': The Orchestra Personnel at the First Public Performance of Beethoven's Eroica - Theodore Albrecht PART THREE: Masses "Aber lieber Beethoven, was haben Sie denn wieder da gemacht?": Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Op. 86? - Jeremiah McGrann Heart to Heart: Beethoven, Archduke Rudolph, and the Missa Solemnis - Mark Evan Bonds God and the Voice of Beethoven - Scott Burnham PART FOUR: Quartets 'So Here I Am, in the Middle Way': The Autograph of the "Harp" Quartet and the Expressive Domain of Beethoven's Second Maturity - M. Lucy Turner Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 - Nicholas Kitchen The Autograph Score of the Slow Movement of Beethoven's Last Quartet, Op. 135 - Barry Cooper Early German-Language Reviews of Beethoven's Late String Quartets - Robin Wallace PART FIVE: Explorations Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas - Erica Buurman Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-minor Works - Barbara Barry Schooling the Quintjäger - David Levy Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Op. 101 - Federica Rovelli 'Another Little Buck out of Its Stable' - Richard Kramer Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription - Elaine Sisman