The Monster Theory Reader
Editat de Jeffrey Andrew Weinstocken Limba Engleză Paperback – 15 ian 2020
Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.
Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future.
Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.
Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.
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Specificații
ISBN-13: 9781517905255
ISBN-10: 1517905257
Pagini: 600
Ilustrații: 33 b&w illustrations
Dimensiuni: 178 x 254 x 38 mm
Greutate: 1 kg
Ediția:1
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
ISBN-10: 1517905257
Pagini: 600
Ilustrații: 33 b&w illustrations
Dimensiuni: 178 x 254 x 38 mm
Greutate: 1 kg
Ediția:1
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
Notă biografică
Jeffrey Andrew Weinstock is professor of English at Central Michigan University and associate editor for Journal of the Fantastic in the Arts. He is the author or editor of twenty-one books, most recently The Age of Lovecraft (Minnesota, 2016); Goth Music: From Sound to Subculture; Return to Twin Peaks: New Approaches to Materiality,Theory, and Genre on Television, and the award-winning Ashgate Encyclopedia of Literary and Cinematic Monsters.
Cuprins
Contents
Introduction. “Won’t Someone Please Think of the Children?!” Thinking Horror Through the Lens of Moral Panic
Jeffrey Andrew Weinstock
Part I. Early Inquiries and Quick Takes
1. From Poetics
Aristotle
2. Of Tragedy
David Hume
3. On the Reason We Take Pleasure in Tragic Subjects
Friedrich Schiller, translated by George W. Gregory
4. From A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful
Edmund Burke
5. From “Why Terrour and Grief Are Pleasing to the Mind When Excited by Descriptions”
Joseph Addison
6. On the Pleasure Derived from Objects of Terror
Anna Laetitia Barbauld
7. On the Supernatural in Poetry
Ann Radcliffe
8. On the Supernatural in Fictitious Composition; and Particularly on the Works of Ernest Theodore William Hoffman
Walter Scott
9. Introduction to Supernatural Horror in Literature
H. P. Lovecraft
10. Introduction to Uncanny Stories
Christopher St. John Sprigg
11. The Enjoyment of Fear
Alfred Hitchcock
12. From Danse Macabre
Stephen King
Part II. The Paradox of Horror
13. Fearing Fictions
Kendall Walton
14. The Paradox of Horror
Berys Gaut
15. From The Philosophy of Horror; or, Paradoxes of the Heart
Noël Carroll
16. Enjoying Negative Emotions in Fictions
John Morreall
17. Fear for Your Life: The Appeals, Functions, and Effects of Horror
Mathias Clasen
18. An Introduction to the American Horror Film
Robin Wood
19. From Sacred Terror: Religion and Horror on the Silver Screen
Douglas E. Cowan
20. From “Discipline and Distraction: Psycho, Visual Culture, and Postmodern Cinema”
Linda Williams
21. Frightening Fascination: A Phenomenology of Direct Horror
Julian Hanich
22. (Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films
G. Neil Martin
23. Horror’s Long-Lasting Appeal
Nina Nesseth
Part III. Different Voices
24. Displaying Connoisseurship, Recognizing Craftsmanship
Matt Hills
25. My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage
Susan Stryker
26. Refusing to Refuse to Look: Female Viewers of the Horror Film
Brigid Cherry
27. From “Horror at the Crossroads: Class, Gender, and Taste at the Rialto”
Mark Jancovich and Tim Snelson
28. Critical Pleasures: Reflections on the Indonesian Horror Genre and Its Anti-Fans
Meghan Downes
29. New Black Gothic
Sheri-Marie Harrison
30. Black Horror Beyond the White Gaze: A Conversation
Dani Bethea and Monika Negra
31. Contemporary Horror and Disability: Adaptations and Active Readers
Petra Kuppers
32. A Demon-Girl’s Guide to Life
S. Trimble
Publication History
Contributors
Index
Introduction. “Won’t Someone Please Think of the Children?!” Thinking Horror Through the Lens of Moral Panic
Jeffrey Andrew Weinstock
Part I. Early Inquiries and Quick Takes
1. From Poetics
Aristotle
2. Of Tragedy
David Hume
3. On the Reason We Take Pleasure in Tragic Subjects
Friedrich Schiller, translated by George W. Gregory
4. From A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful
Edmund Burke
5. From “Why Terrour and Grief Are Pleasing to the Mind When Excited by Descriptions”
Joseph Addison
6. On the Pleasure Derived from Objects of Terror
Anna Laetitia Barbauld
7. On the Supernatural in Poetry
Ann Radcliffe
8. On the Supernatural in Fictitious Composition; and Particularly on the Works of Ernest Theodore William Hoffman
Walter Scott
9. Introduction to Supernatural Horror in Literature
H. P. Lovecraft
10. Introduction to Uncanny Stories
Christopher St. John Sprigg
11. The Enjoyment of Fear
Alfred Hitchcock
12. From Danse Macabre
Stephen King
Part II. The Paradox of Horror
13. Fearing Fictions
Kendall Walton
14. The Paradox of Horror
Berys Gaut
15. From The Philosophy of Horror; or, Paradoxes of the Heart
Noël Carroll
16. Enjoying Negative Emotions in Fictions
John Morreall
17. Fear for Your Life: The Appeals, Functions, and Effects of Horror
Mathias Clasen
18. An Introduction to the American Horror Film
Robin Wood
19. From Sacred Terror: Religion and Horror on the Silver Screen
Douglas E. Cowan
20. From “Discipline and Distraction: Psycho, Visual Culture, and Postmodern Cinema”
Linda Williams
21. Frightening Fascination: A Phenomenology of Direct Horror
Julian Hanich
22. (Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films
G. Neil Martin
23. Horror’s Long-Lasting Appeal
Nina Nesseth
Part III. Different Voices
24. Displaying Connoisseurship, Recognizing Craftsmanship
Matt Hills
25. My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage
Susan Stryker
26. Refusing to Refuse to Look: Female Viewers of the Horror Film
Brigid Cherry
27. From “Horror at the Crossroads: Class, Gender, and Taste at the Rialto”
Mark Jancovich and Tim Snelson
28. Critical Pleasures: Reflections on the Indonesian Horror Genre and Its Anti-Fans
Meghan Downes
29. New Black Gothic
Sheri-Marie Harrison
30. Black Horror Beyond the White Gaze: A Conversation
Dani Bethea and Monika Negra
31. Contemporary Horror and Disability: Adaptations and Active Readers
Petra Kuppers
32. A Demon-Girl’s Guide to Life
S. Trimble
Publication History
Contributors
Index
Recenzii
"This book, indeed, may bite. The best books often do."—PopMatters
"Weinstock's organization is carefully considered, and the overlap between some of the arguments and works cited between essays suggests that the discipline of monster theory has been built on a bedrock of canonical sources, several of which—most notably Freud's "The Uncanny"—are included in the first section of this book."—CHOICE
"In the real world, monstrosity is used as a vague catch-all to justify acts of violence and even murder; these essays offer readers a digestible and critical examination of the monstrous as a way to force us to consider the politics behind what we deem monstrous, and how a deeper understanding of what haunts us may lead to a new, previously unimagined, future."—Ploughshares
" An entertaining subject for students."—Gramarye
"An essential monster theory resource."—Gothic Studies
"[The Monster Theory Reader] is undoubtedly an invaluable resource for researchers, teachers and students of monster theory."—Film International
"I highly recommend this book, especially for those studying folklore or film who have an interest in the representations of monsters. It is a great tool to have on hand, a highly enjoyable read (minus a couple of the more challenging chapters), and it is a great asset for teachers who want to introduce monster theory to their students."—Journal of American Folklore
"Weinstock's organization is carefully considered, and the overlap between some of the arguments and works cited between essays suggests that the discipline of monster theory has been built on a bedrock of canonical sources, several of which—most notably Freud's "The Uncanny"—are included in the first section of this book."—CHOICE
"In the real world, monstrosity is used as a vague catch-all to justify acts of violence and even murder; these essays offer readers a digestible and critical examination of the monstrous as a way to force us to consider the politics behind what we deem monstrous, and how a deeper understanding of what haunts us may lead to a new, previously unimagined, future."—Ploughshares
" An entertaining subject for students."—Gramarye
"An essential monster theory resource."—Gothic Studies
"[The Monster Theory Reader] is undoubtedly an invaluable resource for researchers, teachers and students of monster theory."—Film International
"I highly recommend this book, especially for those studying folklore or film who have an interest in the representations of monsters. It is a great tool to have on hand, a highly enjoyable read (minus a couple of the more challenging chapters), and it is a great asset for teachers who want to introduce monster theory to their students."—Journal of American Folklore