the last post compiles the last photographs shared on social media by individuals who have passed away, accompanied by text detailing their images and deaths. It examines the aesthetics of vernacular imagery and explores perspectives on mortality and life, while investigating how images circulate in the age of digital sharing.

This book is deliberately structured as an incomplete, tactile puzzle: it consists of 50 images re- photographed from illuminated screens, each with a corresponding text piece. Half of the book presents a sequence of images that invite ambiguous, fictional narratives. In contrast, the other half contains only text that reveals the true stories behind each photograph and death. The book’s unique mirrored structure—where the first photo corresponds to the last text piece, and vice versa—requires the viewer to actively navigate between the two halves using small navigation markers on each spread. This design ignites touch, interruption, and attention, foregrounding the book’s physicality and pacing as an experience that emerges only through direct engagement.

By separating images and texts, the book creates distinct layers of fiction and reality, forming an intimate zone of inquiry in which readers can explore the mysterious connections/disconnections between the depictions of life and facts of death and construct their own meanings as they flip through the pages.