Kianush collected and published his poems for children and young adults in eight books, all of which won different awards. He became known as the founder of children's poetry in Iran. But he does not care for this title which he believes to be quite contrary to his real achievement as the messenger of the truth hidden in the heart of perceptible realities which, in occasional blessed moments, reveals itself to him on the horizon of artistic beauty. He says that in Iran, a country where the people, especially the intelligentsia, have since the late nineteenth century been possessed by the politics of freedom and social change, the popularity of a poet depends on his being the artistic mouthpiece and interpreter of the political aspirations of the populace. On the other hand a poet like himself, one of the few poets who have not sacrificed the universal principles of the art of poetry for the pleasure of temporal popularity, is considered difficult, obscure, elitist, philosophical, idealist, and so forth. Poetry for Mahmud Kianush is the language of the childhood of historical man. He believes that the first human beings began to understand themselves, the world around them and the mysteries of the universe by their poetical interpretations of everything they saw and felt, and this is what real poets have always done and will always do. He agrees with the ancient idea that "man is a political animal," but he adds that man must remain faithful to his primordial nature and first be a poet.