The Existential and its Exits: Literary and Philosophical Perspectives on the Works of Beckett, Ionesco, Genet and Pinter: Bloomsbury Academic Collections: English Literary Criticism
Autor L. A. C. Dobrezen Limba Engleză Hardback – 7 noi 2013
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Specificații
ISBN-13: 9781472507778
ISBN-10: 1472507770
Pagini: 392
Dimensiuni: 160 x 236 x 25 mm
Greutate: 0.68 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Academic Collections: English Literary Criticism
Locul publicării:London, United Kingdom
ISBN-10: 1472507770
Pagini: 392
Dimensiuni: 160 x 236 x 25 mm
Greutate: 0.68 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Academic Collections: English Literary Criticism
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Introduction
I The Beckett Irreducible
1 Beckett: the Reduction
2 Beckett: the philosophical tradition
3 Beckett and Sartre: the Unnamable and the pour soi
4 Beckett and Heidegger: being-in-the-world and the concept of angst
5 Beckett and Heidegger: Existence, nothingness and Being
II Ionesco and the experience of wonder
6 Ionesco: claustrophobia and eurphoria
7 Ionesco and Heidegger: authenticity and the collective
8 Ionesco and Heidegger: authenticity, death and the search for being
III Genet's solitude
9 Genet: solitude and the Sartrean Look
10 Genet and Sartre: the murderer and the saint
11 Genet and Sartre: the image and the revolutionary
IV The approach to art
12 Beckett: the task of saying nothing
13 Genet and the Mass: sacrament as efficacious sign
14 Ionesco: the free imagination
V Pinter and the problem of verification
15 Pinter and phenomenology: the subjective-objective synthesis
16 Pinter: psychological realism and the scientific approach
17 Pinter: the lure of objectivity
Conclusion
Source references
Index
Introduction
I The Beckett Irreducible
1 Beckett: the Reduction
2 Beckett: the philosophical tradition
3 Beckett and Sartre: the Unnamable and the pour soi
4 Beckett and Heidegger: being-in-the-world and the concept of angst
5 Beckett and Heidegger: Existence, nothingness and Being
II Ionesco and the experience of wonder
6 Ionesco: claustrophobia and eurphoria
7 Ionesco and Heidegger: authenticity and the collective
8 Ionesco and Heidegger: authenticity, death and the search for being
III Genet's solitude
9 Genet: solitude and the Sartrean Look
10 Genet and Sartre: the murderer and the saint
11 Genet and Sartre: the image and the revolutionary
IV The approach to art
12 Beckett: the task of saying nothing
13 Genet and the Mass: sacrament as efficacious sign
14 Ionesco: the free imagination
V Pinter and the problem of verification
15 Pinter and phenomenology: the subjective-objective synthesis
16 Pinter: psychological realism and the scientific approach
17 Pinter: the lure of objectivity
Conclusion
Source references
Index