The Blood Countess: Murder, Betrayal, and the Making of a Monster
Autor Shelley Puhaken Limba Engleză Hardback – 28 mai 2026
From the author of the national bestseller The Dark Queens, an incandescent work of true crime and feminist history about Elizabeth Bathory, the woman alleged to be the world's most prolific female serial killer.
There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her.
Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power.
Preț: 186.50 lei
Nou
Puncte Express: 280
Carte disponibilă
Livrare economică 12-26 iunie
Specificații
ISBN-13: 9781639732159
ISBN-10: 1639732152
Pagini: 304
Ilustrații: b&w images and maps throughout, 8pg color insert
Dimensiuni: 160 x 238 x 34 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:New York, United States
ISBN-10: 1639732152
Pagini: 304
Ilustrații: b&w images and maps throughout, 8pg color insert
Dimensiuni: 160 x 238 x 34 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:New York, United States
Recenzii
Puhak draws from archival research to lay out how received wisdom has been warped over the centuries by exaggerations, shoddy scholarship and outright fabrications. Her book takes the tale of one woman and turns it into a portrait of an era . . . Puhak is a skillful guide through the thicket of political turmoil, weaponized accusations and palace intrigues. . . The legend is sordid, grisly and above all memorable.
A feminist debunking of the myth of a monstrous Renaissance noblewoman . . . Through close reading of Bathory's many letters and various contemporary accounts, poet and writer Puhak uncovers a thoroughly pre-modern Renaissance woman, well bred and well read, from a distinguished ancient family . . . Admirably clear-eyed history related in crystalline prose.
This striking account from poet and historian Puhak separates the true story of Hungarian noblewoman Elizabeth Bathory from her blood-soaked mythology . . . It's a stunning feminist reconsideration of one of history's most reviled villainesses.
Revelatory . . . Puhak's level-headed analysis of the evidence, grounded in historical context, exposes the tragic ease with which a powerful woman may be attacked through innuendo and misinformation. Given the fame of the Blood Countess Bathory, this should be a popular acquisition.
Puhak sifts through the confusing, often contradictory historical record to present what could be the most complete, most accurate portrait of Bathory we've ever seen. The research is impeccable, and the writing is richly textured (the author is an accomplished poet), and, most important, the author's empathy shines through. This is no remote historical figure she's writing about, this is a living, breathing woman who was not who we thought she was. A splendid exploration of one of history's most enduring enigmas.
The Blood Countess delivers a sharply argued, thoroughly researched feminist takedown of a libelous legend . . . [a] thrilling historical cold case.
With vivid scenes and astonishing detail, Puhak takes us on an enthralling journey into the life of the notorious Elizabeth Bathory. In this deeply researched, essential historical corrective, we finally learn how Bathory came to be known as the Blood Countess and meet the woman behind the myth.
A brilliant reappraisal of the life and legend of Elizabeth, Countess of Bathory . . . Employing an engaging style and meticulous research, Puhak slices through four hundred years of superstition and smears with the ease of a Renaissance knight on a noble quest for truth and justice. Both an invaluable contribution to scholarship and a compelling true crime mystery, The Blood Countess makes for a fascinating read.
In a remarkable feat of research, Shelley Puhak untangles the four-century-old mystery of the Blood Countess, a tale long tainted by misinformation in a society determined to sink a powerful woman. Puhak's fine writing brings the notorious countess to life with clarity and passion.
Shelley Puhak skillfully reveals the layers of deception and fear surrounding Countess Elizabeth Bathory, portraying her as a complex and misunderstood figure: commanding, powerful, and punished for defying the limits imposed on women. A new image emerges-a formidable woman fighting against men eager to seize her property and power. The Blood Countess reveals how influential women are often vilified and underscores the significant role myths play in shaping our understanding of history.
Shelley Puhak leaves no stone unturned in her thorough debunking of the myths surrounding Elizabeth Bathory . . . [Bathory's] only crime was being a woman who would not cede her power . . . This tale, though set in the seventeenth century, strikes so many notes with contemporary resonances. . . Exciting, revealing, and often enraging, the life of the powerful Elizabeth Bathory finally gets the treatment it has long deserved.
I greatly enjoyed this pacy, compulsive investigation, with its persuasive unpicking of many claims made against Elizabeth Bathory. We think we know about this witchlike, vampiric murderess-but Puhak tells us a whole new story of intrigue and injustice.
A well-researched and well-told epic history. The Dark Queens brings these courageous, flawed, and ruthless rulers and their distant times back to life.
Powerful feminist history . . . sweeping and detailed.
History at its most fun. Game of Thrones, eat your heart out!
A lyrical and astute assessment of the political maneuvers, battlefield strategies, and resilience of medieval queens and rivals Fredegund and Brunhild . . . Puhak skillfully draws on contemporaneous sources . . . The resulting is a deeply fascinating portrait of the early Middle Ages that vigorously reclaims two powerhouse women from obscurity.
A delicious read.
Bravo to Shelley Puhak for a remarkable piece of detective work, by turns enlightening and shocking.
Bright, smart, and playful, The Dark Queens is a marvelous trip into the murky early Middle Ages. Shelley Puhak presents a believable and vividly drawn portrait of the Frankish world, and in doing so restores two half-forgotten and much-mythologized queens, Brunhild and Fredegund, to their proper place in medieval history.
A feminist debunking of the myth of a monstrous Renaissance noblewoman . . . Through close reading of Bathory's many letters and various contemporary accounts, poet and writer Puhak uncovers a thoroughly pre-modern Renaissance woman, well bred and well read, from a distinguished ancient family . . . Admirably clear-eyed history related in crystalline prose.
This striking account from poet and historian Puhak separates the true story of Hungarian noblewoman Elizabeth Bathory from her blood-soaked mythology . . . It's a stunning feminist reconsideration of one of history's most reviled villainesses.
Revelatory . . . Puhak's level-headed analysis of the evidence, grounded in historical context, exposes the tragic ease with which a powerful woman may be attacked through innuendo and misinformation. Given the fame of the Blood Countess Bathory, this should be a popular acquisition.
Puhak sifts through the confusing, often contradictory historical record to present what could be the most complete, most accurate portrait of Bathory we've ever seen. The research is impeccable, and the writing is richly textured (the author is an accomplished poet), and, most important, the author's empathy shines through. This is no remote historical figure she's writing about, this is a living, breathing woman who was not who we thought she was. A splendid exploration of one of history's most enduring enigmas.
The Blood Countess delivers a sharply argued, thoroughly researched feminist takedown of a libelous legend . . . [a] thrilling historical cold case.
With vivid scenes and astonishing detail, Puhak takes us on an enthralling journey into the life of the notorious Elizabeth Bathory. In this deeply researched, essential historical corrective, we finally learn how Bathory came to be known as the Blood Countess and meet the woman behind the myth.
A brilliant reappraisal of the life and legend of Elizabeth, Countess of Bathory . . . Employing an engaging style and meticulous research, Puhak slices through four hundred years of superstition and smears with the ease of a Renaissance knight on a noble quest for truth and justice. Both an invaluable contribution to scholarship and a compelling true crime mystery, The Blood Countess makes for a fascinating read.
In a remarkable feat of research, Shelley Puhak untangles the four-century-old mystery of the Blood Countess, a tale long tainted by misinformation in a society determined to sink a powerful woman. Puhak's fine writing brings the notorious countess to life with clarity and passion.
Shelley Puhak skillfully reveals the layers of deception and fear surrounding Countess Elizabeth Bathory, portraying her as a complex and misunderstood figure: commanding, powerful, and punished for defying the limits imposed on women. A new image emerges-a formidable woman fighting against men eager to seize her property and power. The Blood Countess reveals how influential women are often vilified and underscores the significant role myths play in shaping our understanding of history.
Shelley Puhak leaves no stone unturned in her thorough debunking of the myths surrounding Elizabeth Bathory . . . [Bathory's] only crime was being a woman who would not cede her power . . . This tale, though set in the seventeenth century, strikes so many notes with contemporary resonances. . . Exciting, revealing, and often enraging, the life of the powerful Elizabeth Bathory finally gets the treatment it has long deserved.
I greatly enjoyed this pacy, compulsive investigation, with its persuasive unpicking of many claims made against Elizabeth Bathory. We think we know about this witchlike, vampiric murderess-but Puhak tells us a whole new story of intrigue and injustice.
A well-researched and well-told epic history. The Dark Queens brings these courageous, flawed, and ruthless rulers and their distant times back to life.
Powerful feminist history . . . sweeping and detailed.
History at its most fun. Game of Thrones, eat your heart out!
A lyrical and astute assessment of the political maneuvers, battlefield strategies, and resilience of medieval queens and rivals Fredegund and Brunhild . . . Puhak skillfully draws on contemporaneous sources . . . The resulting is a deeply fascinating portrait of the early Middle Ages that vigorously reclaims two powerhouse women from obscurity.
A delicious read.
Bravo to Shelley Puhak for a remarkable piece of detective work, by turns enlightening and shocking.
Bright, smart, and playful, The Dark Queens is a marvelous trip into the murky early Middle Ages. Shelley Puhak presents a believable and vividly drawn portrait of the Frankish world, and in doing so restores two half-forgotten and much-mythologized queens, Brunhild and Fredegund, to their proper place in medieval history.