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The Audiovisual Chord de Martine Huvenne

The Audiovisual Chord: Palgrave Studies in Sound

Autor Martine Huvenne
en Limba Engleză Paperback – 14 dec 2023
This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.
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Specificații

ISBN-13: 9789811948091
ISBN-10: 9811948097
Pagini: 336
Ilustrații: XV, 317 p. 9 illus.
Dimensiuni: 148 x 210 x 19 mm
Greutate: 0.4 kg
Ediția:1st ed. 2022
Editura: Palgrave MacMillan
Colecția Palgrave Studies in Sound
Seria Palgrave Studies in Sound

Locul publicării:Singapore, Singapore

Cuprins

Introduction.- Part I.- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.”.- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.

Notă biografică

Dr. Martine Huvenne retired after a career teaching and researching in the audio-visual field. She was a senior lecturer in Sound and Music for Film at the Kask & Conservatorium (Hogent-Howest), Belgium, where she developed a phenomenological approach to music and listening.

Textul de pe ultima copertă

This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. 

Caracteristici

Proposes a new approach that is based on embodied listening Uniquely contrasts the experience of listeners with the intentions of designers Includes original interviews with film sound practitioners