Sweet, Hereafter
Autor Angela Johnsonen Limba Engleză Hardback – 31 dec 2009 – vârsta de la 12 ani
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Specificații
ISBN-13: 9780689873850
ISBN-10: 0689873859
Pagini: 118
Dimensiuni: 121 x 198 x 15 mm
Greutate: 0.18 kg
Editura: Simon & Schuster Children's Publishing
ISBN-10: 0689873859
Pagini: 118
Dimensiuni: 121 x 198 x 15 mm
Greutate: 0.18 kg
Editura: Simon & Schuster Children's Publishing
Extras
Prologue
THERE'S A FRONT PAGE PHOTO OF MY friend Jos standing by the side of a road on a hot summer day. I almost don't recognize him, because he's out of place. It's a frozen moment in time -- but I'm so used to Jos being animated, funny and moving. It bothers me that one picture can define everything in other people's minds but never really tell the whole story.
A cop in dark shades is touching him on the arm. Gently. The photographer was close, 'cause you can see every line on the cop's and Jos's face. There weren't any lines an hour before. It's early. Everything is quiet. Too quiet. I turn on the radio to make sure there hasn't been some kind of world-ending disaster. Hell -- they do happen. More than you could ever dream they do. I've seen them, been a part of them, don't even have to watch the news to see one happening.
My feet are cool on the old hardwood floors, and I don't even mind that I'm still trying to work out a splinter. I walk to the front window.
I love the cool.
And I love the feeling I get knowing I'm walking on floors people walked on a hundred years ago. I blow the candle out 'cause finally the sun is struggling past the clouds.
The radio crackles as I stare out at Lake Erie haze.
I press my face against the window and feel cobwebs on the side of my head but don't pull back. If I listen close I can hear cars blowing past on the road about a hundred yards away.
I listen for Curtis over the drone of the radio -- I do it without thinking. Then I see the groundhogs through the window and start peeling apples for them.
I do it like I breathe or walk to the sink to get a glass of water.
Automatic.
It starts to rain, and I watch like the photographer did on that burning hot summer day, while rain streaks every inch of the window.
Copyright © 2010 by Angela Johnson
THERE ARE LONG ARMS ALL AROUND ME and I know I'm gonna have a serious curb put on my social life if I don't get off this couch right now and go home.
When I try to get up, Curtis's arms squeeze me more, and I know that I'm not going anywhere, not until he gives it up and lets go.
Still, I'm thinking I got so much homework I'll be up all night trying to fi nish it. And if I want the parents outta my business I have to keep the low B going. I ain't never been an A student, so my parents are happy about those Bs I drag out every semester.
And there's Curtis....
I'd miss him if I were grounded for life. I'd miss the way he always smells like sweet leaves underfoot in the fall. I mean, that's what I think of when I'm close to him. The woods. Leaves. Pine needles.
And the feel of his skin...
Shit like that....
I don't say shit like that when I'm with Curtis, 'cause he doesn't swear. And even though he's never said anything when I do -- I do my best not to do it in front of him.
Raised by a religious grandma is all he'll say about it.
I'm cold.
I'm cold and awake, and he's not here. No arms pull me back. I walk to the open window and smell the woods. I miss Curtis in his place on the couch beside me.
But I live here now too. So when I lean out the window to see what kind of morning sky is out there, I see Curtis, leaning against a tree. And just like that -- the cold is gone.
Copyright © 2010 by Angela Johnson
THERE'S A FRONT PAGE PHOTO OF MY friend Jos standing by the side of a road on a hot summer day. I almost don't recognize him, because he's out of place. It's a frozen moment in time -- but I'm so used to Jos being animated, funny and moving. It bothers me that one picture can define everything in other people's minds but never really tell the whole story.
A cop in dark shades is touching him on the arm. Gently. The photographer was close, 'cause you can see every line on the cop's and Jos's face. There weren't any lines an hour before. It's early. Everything is quiet. Too quiet. I turn on the radio to make sure there hasn't been some kind of world-ending disaster. Hell -- they do happen. More than you could ever dream they do. I've seen them, been a part of them, don't even have to watch the news to see one happening.
My feet are cool on the old hardwood floors, and I don't even mind that I'm still trying to work out a splinter. I walk to the front window.
I love the cool.
And I love the feeling I get knowing I'm walking on floors people walked on a hundred years ago. I blow the candle out 'cause finally the sun is struggling past the clouds.
The radio crackles as I stare out at Lake Erie haze.
I press my face against the window and feel cobwebs on the side of my head but don't pull back. If I listen close I can hear cars blowing past on the road about a hundred yards away.
I listen for Curtis over the drone of the radio -- I do it without thinking. Then I see the groundhogs through the window and start peeling apples for them.
I do it like I breathe or walk to the sink to get a glass of water.
Automatic.
It starts to rain, and I watch like the photographer did on that burning hot summer day, while rain streaks every inch of the window.
Copyright © 2010 by Angela Johnson
1
THERE ARE LONG ARMS ALL AROUND ME and I know I'm gonna have a serious curb put on my social life if I don't get off this couch right now and go home.
When I try to get up, Curtis's arms squeeze me more, and I know that I'm not going anywhere, not until he gives it up and lets go.
Still, I'm thinking I got so much homework I'll be up all night trying to fi nish it. And if I want the parents outta my business I have to keep the low B going. I ain't never been an A student, so my parents are happy about those Bs I drag out every semester.
And there's Curtis....
I'd miss him if I were grounded for life. I'd miss the way he always smells like sweet leaves underfoot in the fall. I mean, that's what I think of when I'm close to him. The woods. Leaves. Pine needles.
And the feel of his skin...
Shit like that....
I don't say shit like that when I'm with Curtis, 'cause he doesn't swear. And even though he's never said anything when I do -- I do my best not to do it in front of him.
Raised by a religious grandma is all he'll say about it.
I'm cold.
I'm cold and awake, and he's not here. No arms pull me back. I walk to the open window and smell the woods. I miss Curtis in his place on the couch beside me.
But I live here now too. So when I lean out the window to see what kind of morning sky is out there, I see Curtis, leaning against a tree. And just like that -- the cold is gone.
Copyright © 2010 by Angela Johnson
Descriere
In this follow-up to the novels "Heaven" and "The First Part Last," Johnson takes readers back to Heaven, Ohio, in a bittersweet tale of first love found and lost.
Notă biografică
Angela Johnson has won three Coretta Scott King Awards, one each for her novels The First Part Last, Heaven, and Toning the Sweep. The First Part Last was also the recipient of the Michael L. Printz Award. She is also the author of the novels Looking for Red and A Certain October. Her books for younger readers include the Coretta Scott King Honor Book When I Am Old with You, illustrated by David Soman; Wind Flyers and I Dream of Trains, both illustrated by Loren Long; and Lottie Paris Lives Here and its sequel Lottie Paris and the Best Place, both illustrated by Scott M. Fischer. Additional picture books include A Sweet Smell of Roses, Just Like Josh Gibson, The Day Ray Got Away, and All Different Now. In recognition of her outstanding talent, Angela was named a 2003 MacArthur Fellow. She lives in Kent, Ohio. Visit her at AJohnsonAuthor.com.