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superILLU de Juliane Wenzl

superILLU

Editat de Juliane Wenzl, Ulrike Stoltz
en Limba Engleză Paperback – 7 iun 2022
Defining 'illustration' is not easy; it is always caught between the pillars of applied and fine art, between serving and claiming autonomy. With new possibilities of technical reproducibility, illustrations in the 19th century became omnipresent on the one hand and partially 'inferior' on the other. Today, they are experiencing a similar reevaluation in the context of digital reproducibility and production. The publication illuminates cultural-historical developments as well as perspectives from art, media, and visual studies and begins to clarify the position of illustration in image history and visual studies.
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Specificații

ISBN-13: 9783894455934
ISBN-10: 3894455934
Pagini: 352
Ilustrații: Bilder und Reproduktionen von Buchseiten, davon 66 in Farbe
Dimensiuni: 166 x 222 x 28 mm
Greutate: 0.85 kg
Editura: Jonas Verlag F. Kunst U.

Cuprins

Inhaltsverzeichnis / Table of contents Abb./Fig. 1: Die Illustration / Illustration Ulrike Stoltz Foreword / Vorwort z. B. zum Beispiel Illustration. Vier Standpunkte z. B. for example illustration. Four points of view Stefan Soltek Illustration, or: What actually illuminates what, and whom? Illustration, oder: Was erhellt hier eigentlich was, und wen? Abb./Fig. 2-9: Illustrierte Bücher aus der Sammlung des Klingspor Museums Offenbach Illustrated books from the collection of the Klingspor Museum Offenbach Juliane Wenzl E.¿g. illustration. A sketch / Z. B. Illustration. Eine Skizze Abb./Fig. 10-31: Arbeitsbeispiele/Work samples Christopher Breu Illustration. A genre and its open borders, or: The cohesive strength of art Ein Genre und seine offenen ­Grenzen, oder: Die bindende Kraft in der Kunst Abb./Fig. 32-49: Arbeiten auf Papier aus der Hegenbarth Sammlung Berlin Works on paper from the Hegenbarth Sammlung Berlin Matthew Tyson Illustration? / Illustration? Abb./Fig. 50-60: Arbeitsbeispiele/Work samples superILLU Ein Bilderkarussell. Oder: Wenn man Illustration sagt, erstarren alle! Transkript einer Diskussion Abb./Fig. 61:¿Detlef Surrey: Skizze aus der Diskussion / Sketch from the discussion superILLU An image carousel. Or: When you say illustration, everyone freezes! Transcript of a discussion Weiterdenken / Thinking ahead Nanne Meyer Aus den Augen in den Sinn. Zeichnungen aus den Jahrbüchern Out of sight into mind. Drawings from the yearbooks 1986-2021 Abb./Fig. 62-72 Franziska Walther Sichtbar werden. Haltung zeigen. Warum Illustration marginalisiert wird und wie wir das ändern können Be visible. Show attitude. Why illustration is marginalized and how we can change that Andreas Rauth Unverwechselbar. Über Stil und Authentizität in der Illustration Abb./Fig. 73-76 Unmistakable. About style and authenticity in illustration Juliane Wenzl Dreh dich nicht um ... Zum Zusammenhang von Bewegungs­darstellung und -wahrnehmung in Bildgeschichten Abb./Fig. 77-79 Don't look now ... On the connection between the representation and perception of movement in pictorial stories Friedrich Tietjen Bilderflut um 1800. Zur Kulturgeschichte des Holzstichs, der Lithografie und der Fotografie im 19. Jahrhundert Abb./Fig. 80-85 The flood of pictures since 1800. On the cultural history of wood engraving, ­lithography and photography in the 19th century Ulrike Stoltz Lesen¿-¿Schauen¿-¿ÜberSehen. Schriftbildlichkeit aus der Perspektive des ­typografisch 'Normalen' Abb./Fig. 86-89:¿¿usus¿:¿Uta Schneider & Ulrike Stoltz Reading¿-¿Looking¿-¿OverLooking. The image of type from the perspective of what typographically is regarded as "normal" Johannes Rößler Die Hybridität der Illustration. Anmerkungen zu einem komplizierten Bildmedium Abb./Fig. 90-93 The hybridity of illustration. Notes on a complicated picture medium Juliane Wenzl Überlegungen zu Illustration als eigenständiger Kunst Reflections on illustration as an independent art Leonore Poth Bagger. Zeichnungen Diggers. Drawings Abb./Fig. 94-106