Summoning Our Saints: The Poetry and Prose of Brenda Marie Osbey
Editat de John Wharton Lowe Contribuţii de Keith Cartwright, Doris Davenport, Thadious Davis, Dolores Flores-Silva, Aldon Lynn Nielsen, Malin Pereira, Hermine Pinson, Andrea Benton Rushing, Daniel Cross Turner, Tracy Wattsen Limba Engleză Hardback – 17 sep 2019
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Specificații
ISBN-13: 9781498581592
ISBN-10: 1498581595
Pagini: 232
Dimensiuni: 160 x 230 x 22 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
ISBN-10: 1498581595
Pagini: 232
Dimensiuni: 160 x 230 x 22 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
Cuprins
Introduction. Mapping a Starry Poetics: The Achievement of Brenda Marie Osbey
John Wharton Lowe
Chapter 1. The Origins of Osbey's Poetics: The Achievement of Ceremony for Minneconjoux and In These Houses
John Wharton Lowe
Chapter 2. "And I can see to it you stay dead / on a daily basis": Brenda Marie Osbey's Culturally Based Poetics (A poet's perspective)
Doris Davenport
Chapter 3. Desperate Measures
Aldon Lynn Nielsen
Chapter 4. Wild and Holy Women in the Poetry of Brenda Marie Osbey
Andrea Benton Rushing
Chapter 5. Saints of a Darker Hue in Brenda Marie Osbey's All Saints
Reggie Scott Young
Chapter 6. Haunted Memories: Disruptive Ghosts in the Poems of Brenda Marie Osbey
Tracy Watts
Chapter 7. Imagining History: Brenda Marie Osbey and the Poetics of Imagination
Thadious Davis
Chapter 8. Crossing the Gulf: Ecopoetic Revisions of the Coast in Brenda Marie Osbey, Natasha Trethewey, and Yusef Komunyakaa
Daniel Cross Turner
Chapter 9. Feeding the Gulf Dead: An Ofrenda of Response to Brenda Marie Osbey's All Saints & All Souls
Dolores Flores-Silva and Keith Cartwright
Chapter 10. The Roots and Routes of Brenda Marie Osbey's Black Internationalism
Malin Pereira
Chapter 11. Introduction to 1967: On the Semicenternary of the Desegregation of the College of William and Mary
Hermine Pinson
Appendix: Chronology of the Life and Career of Brenda Marie Osbey
About the Editor
About the Contributors
John Wharton Lowe
Chapter 1. The Origins of Osbey's Poetics: The Achievement of Ceremony for Minneconjoux and In These Houses
John Wharton Lowe
Chapter 2. "And I can see to it you stay dead / on a daily basis": Brenda Marie Osbey's Culturally Based Poetics (A poet's perspective)
Doris Davenport
Chapter 3. Desperate Measures
Aldon Lynn Nielsen
Chapter 4. Wild and Holy Women in the Poetry of Brenda Marie Osbey
Andrea Benton Rushing
Chapter 5. Saints of a Darker Hue in Brenda Marie Osbey's All Saints
Reggie Scott Young
Chapter 6. Haunted Memories: Disruptive Ghosts in the Poems of Brenda Marie Osbey
Tracy Watts
Chapter 7. Imagining History: Brenda Marie Osbey and the Poetics of Imagination
Thadious Davis
Chapter 8. Crossing the Gulf: Ecopoetic Revisions of the Coast in Brenda Marie Osbey, Natasha Trethewey, and Yusef Komunyakaa
Daniel Cross Turner
Chapter 9. Feeding the Gulf Dead: An Ofrenda of Response to Brenda Marie Osbey's All Saints & All Souls
Dolores Flores-Silva and Keith Cartwright
Chapter 10. The Roots and Routes of Brenda Marie Osbey's Black Internationalism
Malin Pereira
Chapter 11. Introduction to 1967: On the Semicenternary of the Desegregation of the College of William and Mary
Hermine Pinson
Appendix: Chronology of the Life and Career of Brenda Marie Osbey
About the Editor
About the Contributors
Recenzii
Including a detailed chronology of its subject, this collection of essays on poet Brenda Marie Osbey (Africana studies, Brown) will be invaluable to those interested in poetry and African American studies. The collection comprises 11 critical essays. Lowe provides a detailed biographical and critical introduction, and his opening essay on Osbey's poetry collections Ceremony for Minneconjoux and In These Houses sets a high standard, one his fellow contributors meet. Thadious Davis examines History and Other Poems with authority, looking at Osbey's writing in Southern and African American traditions. Dolores Flores-Silva and Keith Cartwright, who previously worked together on a study of Jesmyn Ward, place Osbey in the internationality of the Gulf of Mexico with attention to All Saints and All Souls. Daniel Cross Turner considers Osbey in conjunction with fellow poets Natasha Trethewey and Yusef Komunyakaa. In mapping and examining Osbey's poetry and prose, all the contributors recognize the centrality of Osbey's native New Orleans in her writing, with the city's pasts intersecting with the present and its extensive intercultural borders extending beyond the continental US.
Summing Up: Recommended. Upper-division undergraduates through faculty; general readers.
What a delightful treat! This collection of eleven essays from some of the most important critics working in African American literary and cultural studies enters into lively conversation with the poetry and prose of Brenda Marie Osbey. In essays that alternately explore Osbey's technical mastery, innovative approaches to line, stanza, and phrase, as well as her gift for interweaving history and verse into a hybridized musical journey through time and space, we are ushered into Osbey's poetic world as it stages a refusal to the lingering effects of European colonialism and American slavery, where spirits not only walk among us, but order our steps. Spanning the length and breadth of Osbey's career, these essays confirm that her unique melding of spirituality and history, her explication of the spatial relations governing life on the Gulf Coast, belong in the foreground of American poetry and poetics.
John Lowe has done the deft work of introducing new readers to Brenda Marie Osbey's poetry and clarifying it to others all at once. Indeed, Lowe's work is a summoning in its own right. He calls forth the best of our writers and critics to reveal the beauty of one of our most revered poets.
As Lowe makes clear in his comprehensive and informative introduction, Brenda Marie Osbey's poetry and essays are rooted in West African, Caribbean, and French cultural traditions, practices, and beliefs that intersect in New Orleans. To read her poetry is to undergo a pleasurable possession that allows readers to commune with the dead and to rethink how history was made. This collection stands as a supplement to Osbey's work. In addition to an introduction that is both biographical and analytical, Lowe is joined by a cadre of poets and scholars whose essays parse out the complex nuances and rich contours of Osbey's poetry.
Summing Up: Recommended. Upper-division undergraduates through faculty; general readers.
What a delightful treat! This collection of eleven essays from some of the most important critics working in African American literary and cultural studies enters into lively conversation with the poetry and prose of Brenda Marie Osbey. In essays that alternately explore Osbey's technical mastery, innovative approaches to line, stanza, and phrase, as well as her gift for interweaving history and verse into a hybridized musical journey through time and space, we are ushered into Osbey's poetic world as it stages a refusal to the lingering effects of European colonialism and American slavery, where spirits not only walk among us, but order our steps. Spanning the length and breadth of Osbey's career, these essays confirm that her unique melding of spirituality and history, her explication of the spatial relations governing life on the Gulf Coast, belong in the foreground of American poetry and poetics.
John Lowe has done the deft work of introducing new readers to Brenda Marie Osbey's poetry and clarifying it to others all at once. Indeed, Lowe's work is a summoning in its own right. He calls forth the best of our writers and critics to reveal the beauty of one of our most revered poets.
As Lowe makes clear in his comprehensive and informative introduction, Brenda Marie Osbey's poetry and essays are rooted in West African, Caribbean, and French cultural traditions, practices, and beliefs that intersect in New Orleans. To read her poetry is to undergo a pleasurable possession that allows readers to commune with the dead and to rethink how history was made. This collection stands as a supplement to Osbey's work. In addition to an introduction that is both biographical and analytical, Lowe is joined by a cadre of poets and scholars whose essays parse out the complex nuances and rich contours of Osbey's poetry.