Something of a manifesto, this work is themed on collecting examples of Sublimist art and literature. The author draws entirely from his own work as an artist, poet, and philosopher. More than just several graphical illustrations are present here expressing something like what a genuine Sublimist movement would be----or, nay, IS. Coppedge draws on several examples from Romanticism and the modern poets to support his claim that history has projected all the way into the sublime. He also provides instructions aimed towards training the reader in the art of the sublime. For those interested in Nathan Coppedge's Hyper-Cubism, here is another prospective movement which is not entirely without redeeming virtue. The primary feature of this work is the Sublimist artworks and poems---a body of work distinct from Coppedge's other Hyper-Cubist work.