Structure and Form in Design: Critical Ideas for Creative Practice
Autor Michael Hannen Limba Engleză Paperback – sep 2012
In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance.
Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.
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Specificații
ISBN-13: 9781847887429
ISBN-10: 1847887422
Pagini: 200
Ilustrații: 228 bw & 19 colour illus
Dimensiuni: 188 x 244 x 12 mm
Greutate: 0.5 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Locul publicării:London, United Kingdom
ISBN-10: 1847887422
Pagini: 200
Ilustrații: 228 bw & 19 colour illus
Dimensiuni: 188 x 244 x 12 mm
Greutate: 0.5 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Locul publicării:London, United Kingdom
Cuprins
Part One: Introduction
Part Two: The Fundamentals and Their Role in Design
Introduction; Point - a Sound of Silence; Line and What Follows; Planes, Shapes and Forms; Various Polygons; Grids and Guidelines; Use to the Creative Practitioner; Summary
Part Three: Underneath It All
Introduction; Various Useful Constructions; Static and Dynamic Rectangles; Root Rectangles; The Brunes Star; Compositional Rectangles; Grids from Dynamic Rectangles; Summary
Part Four: Tiling the Plane Without Gap or Overlap
Introduction; Regular and Semi-regular Tilings; Demi-regular Tilings; Aperiodic Tilings; Islamic Tilings and Their Construction; Tiling on a Curved Surface; Developing Original Tiling Designs; Summary
Part Five: Symmetry, Patterns and Fractals
Introduction; Symmetry Operations; Motifs, Figures or Repeating Units; Friezes, Strips or Borders; Lattices and all-over Patterns; Counter-change Designs; Fractals and Self-similarity - Another Type of Symmetry; Summary
Part Six: The Stepping Stones of Fibonacci and the Harmony of a Line Divided
Introduction; The Fibonacci Series; The Golden Section; The Golden Rectangle; The Golden Spiral
Uses in Art, Design and Architecture - a Summary of the Debate; The Potential for the Creative Practitioner; Summary
Part Seven: Polyhedra, Spheres and Domes
Introduction; Spheres; Platonic Solids; Archimedean Solids; Radiolarians, Soccer Balls and Super Molecules; Polyhedra in Art and Design; Domes; Summary
Part Eight: Structure and Form in Three Dimensions
Introduction; Elements of Three-dimensional Form; Representations of Three-dimensional Form; Cubes, Prisms and Cylinders; Cones and Pyramids; Three-dimensional Lattices; Transformations; Summary
Part Nine: Variations on a Theme: Modularity, Closest Packing and Partitioning
Introduction; The Nature of Modularity; Modularity in the Fine and Decorative Arts; Modularity in Design and Architecture; Closest Packing; Efficient Partitioning; Towards a Theory of Emergence in the Decorative Arts and Design; Summary
Part Ten: Structural Analysis in the Decorative Arts, Design and Architecture
Introduction; Symmetry Analysis - Steps Towards a Consistent Method; Geometric Analysis in the Decorative Arts, Design and Architecture; Frequently Used Constructions and Measures; Questions Relating to Method and Data Collection; Steps Towards a Systematic Analytical Framework; Questions of Accuracy; Summary
Part Eleven: A Designer's Framework
Appendices
References
Part Two: The Fundamentals and Their Role in Design
Introduction; Point - a Sound of Silence; Line and What Follows; Planes, Shapes and Forms; Various Polygons; Grids and Guidelines; Use to the Creative Practitioner; Summary
Part Three: Underneath It All
Introduction; Various Useful Constructions; Static and Dynamic Rectangles; Root Rectangles; The Brunes Star; Compositional Rectangles; Grids from Dynamic Rectangles; Summary
Part Four: Tiling the Plane Without Gap or Overlap
Introduction; Regular and Semi-regular Tilings; Demi-regular Tilings; Aperiodic Tilings; Islamic Tilings and Their Construction; Tiling on a Curved Surface; Developing Original Tiling Designs; Summary
Part Five: Symmetry, Patterns and Fractals
Introduction; Symmetry Operations; Motifs, Figures or Repeating Units; Friezes, Strips or Borders; Lattices and all-over Patterns; Counter-change Designs; Fractals and Self-similarity - Another Type of Symmetry; Summary
Part Six: The Stepping Stones of Fibonacci and the Harmony of a Line Divided
Introduction; The Fibonacci Series; The Golden Section; The Golden Rectangle; The Golden Spiral
Uses in Art, Design and Architecture - a Summary of the Debate; The Potential for the Creative Practitioner; Summary
Part Seven: Polyhedra, Spheres and Domes
Introduction; Spheres; Platonic Solids; Archimedean Solids; Radiolarians, Soccer Balls and Super Molecules; Polyhedra in Art and Design; Domes; Summary
Part Eight: Structure and Form in Three Dimensions
Introduction; Elements of Three-dimensional Form; Representations of Three-dimensional Form; Cubes, Prisms and Cylinders; Cones and Pyramids; Three-dimensional Lattices; Transformations; Summary
Part Nine: Variations on a Theme: Modularity, Closest Packing and Partitioning
Introduction; The Nature of Modularity; Modularity in the Fine and Decorative Arts; Modularity in Design and Architecture; Closest Packing; Efficient Partitioning; Towards a Theory of Emergence in the Decorative Arts and Design; Summary
Part Ten: Structural Analysis in the Decorative Arts, Design and Architecture
Introduction; Symmetry Analysis - Steps Towards a Consistent Method; Geometric Analysis in the Decorative Arts, Design and Architecture; Frequently Used Constructions and Measures; Questions Relating to Method and Data Collection; Steps Towards a Systematic Analytical Framework; Questions of Accuracy; Summary
Part Eleven: A Designer's Framework
Appendices
References
Recenzii
This book is a unique contribution to the theory of structural design in two and three dimensional form, and should be of interest to surface designers, architects, and interior designers.