Stagecraft Rewired: AI, Authorship, and the Future of Performance: Routledge Advances in Theatre & Performance Studies
Autor Michael Harding, James Hutsonen Limba Engleză Hardback – 18 iun 2026
The book offers a comprehensive journey from conceptual foundations to real-world applications. It includes critical analysis, case studies, production workflows, and pedagogical models, providing readers with clear frameworks for ethical tool use and practical strategies for rehearsal and production. The volume also addresses key topics such as authorship, collaboration, accessibility, and accountability in technology-mediated performance. By situating AI within a historical lineage of adaptation and creative recombination, the book reframes intelligent systems as an extension of traditional theatrical methods rather than a disruption. Readers will benefit from actionable guidance on institutional governance, teaching models that emphasize transparency, and forward-looking principles for navigating the future of stagecraft.
This book is an invaluable resource for theatre practitioners, educators, students, arts administrators, and cultural policymakers interested in the intersection of technology and performance.
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Specificații
ISBN-13: 9781041252177
ISBN-10: 104125217X
Pagini: 312
Ilustrații: 24
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 104125217X
Pagini: 312
Ilustrații: 24
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
Public țintă
AcademicCuprins
About the Authors
Acknowledgements
List of Figures
List of Tables
Preface
How to Use This Book
Part I — Thesis, Evidence, and Context
1. Synthetic Systems and Stagecraft
2. Eight Short Cases
3. Global Contrasts
Part II — Workflows Across the Production Lifecycle
4. Pre-Production
5. Rehearsal and Performance
6. Post-Production and Audiences
Part III — Skills, Pedagogy, and Career Preparation
7. Skills Map for Theatre Careers
8. Studios, Labs, and Portfolios
9. Course and Program Templates
Part IV — Law, Governance, and Ethics
10. Authorship, Ownership, and Copyright
11. Compliance in Practice
12. Ethics and Responsibility
Part V — A Longitudinal Production Case
13. From Greenlight to Strike
Part VI — Tooling, Infrastructure, and Implementation
14. Selecting and Running Tools
15. Adoption Guides for Schools and Companies
Part VII — Futures and Research Agenda
16. Near-Term Scenarios and Strategic Foresight
17. Open Questions and Next Steps
Appendices
· A. Studio Drills
· B. Lab Modules and Instructor Notes
· C. Sample Policies and Contract Clauses
Index
Acknowledgements
List of Figures
List of Tables
Preface
How to Use This Book
Part I — Thesis, Evidence, and Context
1. Synthetic Systems and Stagecraft
2. Eight Short Cases
3. Global Contrasts
Part II — Workflows Across the Production Lifecycle
4. Pre-Production
5. Rehearsal and Performance
6. Post-Production and Audiences
Part III — Skills, Pedagogy, and Career Preparation
7. Skills Map for Theatre Careers
8. Studios, Labs, and Portfolios
9. Course and Program Templates
Part IV — Law, Governance, and Ethics
10. Authorship, Ownership, and Copyright
11. Compliance in Practice
12. Ethics and Responsibility
Part V — A Longitudinal Production Case
13. From Greenlight to Strike
Part VI — Tooling, Infrastructure, and Implementation
14. Selecting and Running Tools
15. Adoption Guides for Schools and Companies
Part VII — Futures and Research Agenda
16. Near-Term Scenarios and Strategic Foresight
17. Open Questions and Next Steps
Appendices
· A. Studio Drills
· B. Lab Modules and Instructor Notes
· C. Sample Policies and Contract Clauses
Index
Notă biografică
Michael Harding is an American academic and professor who works as the department head of Performing Arts and Lindenwood University in Saint Charles, USA.
James L. Hutson is currently a professor and department head of art history, AI, and visual culture at Lindenwood University in Saint Charles, USA.
James L. Hutson is currently a professor and department head of art history, AI, and visual culture at Lindenwood University in Saint Charles, USA.
Descriere
This book explores how artificial intelligence and intelligent systems can be seamlessly integrated into contemporary theatre while preserving artistic agency, ethical responsibility, and historical awareness.