Sondheim on Music: Minor Details and Major Decisions
Autor Mark Eden Horowitzen Limba Engleză Paperback – 13 mar 2019
Sondheim on Music: Minor Details and Major Decisions is a collection of interviews conducted by Mark Eden Horowitz, senior music specialist in the music division of the Library of Congress. In these guided conversations, Sondheim expounds in great depth and detail on his craft. As a natural teacher, thoughtful and opinionated, Sondheim discusses the art of musical composition, lyric writing, the collaborative process of musical theater, and how he thinks about his own work. The entire scope of Sondheim's career is covered here, in which Sondheim's greatest works are discussed-from Passion, Assassins, Into the Woods, Sunday in the Park with George, Sweeney Todd, and Pacific Overtures to A Funny Thing Happened on the Way to the Forum, Merrily We Roll Along, Company, Follies, Anyone Can Whistle, and A Little Night Music. Sondheim even provides thoughts about the film adaptations of his works, such as Sweeney Todd. The book also features an entire chapter on Bounce, the previous incarnation of his latest musical, Road Show.
Preserving the essential elements of the previous volumes, this edition includes all of the interviews-verbatim-and features a revised introduction and a postlude with an additional conversation. Finally in paperback, Sondheim on Music: Minor Details and Major Decisions, The Less Is More Edition is a must-have for fans of these creative genius.
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Specificații
ISBN-13: 9781538125502
ISBN-10: 1538125501
Pagini: 288
Ilustrații: 100 b/w photos
Dimensiuni: 150 x 228 x 20 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield
Locul publicării:New York, United States
ISBN-10: 1538125501
Pagini: 288
Ilustrații: 100 b/w photos
Dimensiuni: 150 x 228 x 20 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield
Locul publicării:New York, United States
Recenzii
I've learned so much from the work of Stephen Sondheim, and in this book, others interested in the craft of musical theatre composition, whether as professionals or fans, will find a myriad of lessons and inspirations.
Indispensable for any student, writer, or ardent fan of drama and musical theater. It puts the reader in the room with one of our greatest American masters.
Horowitz has managed to relax Sondheim into loquacity, technical generosity, and humour far more than most, perhaps all, of his predecessors (and there have been many); they exude an unusual sense of well-being, for which Horowitz must be credited with extraordinary skill and amenability.
Any with a curiosity about the musical theatre of the past half century or a passing interest in the creative process behind it will find gems here. The real meat of the book is in free-ranging discussions of Sondheim's choices, tastes, and reflections on music and theater throughout and beyond his own career.
Mark Horowitz reveals the compositional process of Stephen Sondheim through a fascinating series of conversations with the composer. It is thrilling to discover the intimate details of how these classic songs, scores, and shows were created. Utterly captivating and illuminating.
One of the finest books focusing on [Sondheim's] work.
In these remarkable dialogues Mark Horowitz has elicited cogent, illuminating insights into the creative process from Stephen Sondheim, the ever-astonishing titan of the musical stage.
Sondheim devotees will be forever grateful to Library of Congress music specialist Mark Horowitz for the interviews he conducted with Sondheim.
An excellent companion work to the esteemed composer's book. Horowitz skillfully balances his technical content, serving both the needs of the music student and the theatre enthusiast.
A provocative, illuminating portrait of a creative powerhouse.
Recommended for libraries with a prominent emphasis on music.
For musicians, Horowitz's book is a treasure trove of self-revelation from the most significant living composer for the American musical theatre.
What sets this milestone work apart from other texts on Sondheim or other interviews with the composer is the fine balance between broad and specific questions. The broader questions can be understood and enjoyed by any audience, since they deal very generally with Sondheim's thoughts and opinions about theatre. On the other hand, the specific questions provide an outstanding, first person source for scholars of music and theatre in particular, with pointed discussions on the musical scores, and a rare view of Sondheim's own compositional sketches.
Mr. Sondheim was interviewed on stage by Mark Eden Horowitz, whose essential book, Sondheim on Music, offers in-depth discussions with the composer.
Indispensable for any student, writer, or ardent fan of drama and musical theater. It puts the reader in the room with one of our greatest American masters.
Horowitz has managed to relax Sondheim into loquacity, technical generosity, and humour far more than most, perhaps all, of his predecessors (and there have been many); they exude an unusual sense of well-being, for which Horowitz must be credited with extraordinary skill and amenability.
Any with a curiosity about the musical theatre of the past half century or a passing interest in the creative process behind it will find gems here. The real meat of the book is in free-ranging discussions of Sondheim's choices, tastes, and reflections on music and theater throughout and beyond his own career.
Mark Horowitz reveals the compositional process of Stephen Sondheim through a fascinating series of conversations with the composer. It is thrilling to discover the intimate details of how these classic songs, scores, and shows were created. Utterly captivating and illuminating.
One of the finest books focusing on [Sondheim's] work.
In these remarkable dialogues Mark Horowitz has elicited cogent, illuminating insights into the creative process from Stephen Sondheim, the ever-astonishing titan of the musical stage.
Sondheim devotees will be forever grateful to Library of Congress music specialist Mark Horowitz for the interviews he conducted with Sondheim.
An excellent companion work to the esteemed composer's book. Horowitz skillfully balances his technical content, serving both the needs of the music student and the theatre enthusiast.
A provocative, illuminating portrait of a creative powerhouse.
Recommended for libraries with a prominent emphasis on music.
For musicians, Horowitz's book is a treasure trove of self-revelation from the most significant living composer for the American musical theatre.
What sets this milestone work apart from other texts on Sondheim or other interviews with the composer is the fine balance between broad and specific questions. The broader questions can be understood and enjoyed by any audience, since they deal very generally with Sondheim's thoughts and opinions about theatre. On the other hand, the specific questions provide an outstanding, first person source for scholars of music and theatre in particular, with pointed discussions on the musical scores, and a rare view of Sondheim's own compositional sketches.
Mr. Sondheim was interviewed on stage by Mark Eden Horowitz, whose essential book, Sondheim on Music, offers in-depth discussions with the composer.