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Simen Johan: Until the Kingdom Comes

Ilustrat de Simen Johan
en Limba Engleză Paperback – 29 apr 2014
Simen Johan's ongoing series of photographs and sculptures, "Until the Kingdom Comes," begun in 2005, depicts a natural world that is at once familiar and otherworldly. Most (but not all) of the images are intricate digital constructs incorporating elements the artist photographed in various geographical locations. Towering giraffes, captured in various US zoos, populate a hazy, desolate landscape created from images taken in Turkey, Bali and Iceland; spectacular Javan peacocks from Asia are camouflaged within a Spanish pepper tree; and the interior of an Icelandic volcano forms the setting for a gooey tar pit where Peruvian yellow-hooded blackbirds nest. Each image confuses the boundaries between opposing forces such as the natural and the artificial, the serene and the eerie, the primal and the mindful. These dynamic tensions reflect the internal conflicts and contradictions inherent to human nature that fuel Johan's work. Only a limited quantity of this oversize, unbound volume is available.
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Specificații

ISBN-13: 9780615855875
ISBN-10: 0615855873
Pagini: 64
Dimensiuni: 312 x 394 x 8 mm
Greutate: 0.48 kg
Editura: Yossi Milo Gallery, New York

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A collection of psychologically charged depictions of the natural world represents 15 years of the artist's career, the entire series gathered together in one volume for the very first time. Simen Johan summons a metaphorically dense world into being where human fantasy and nature collides. Simen Johan originally drew attention in the early 1990s by merging digital manipulation with traditional darkroom techniques. Since then, he has been developing a hybrid form of image-making that integrates candidly photographed animals and landscapes with a compositional structuring and conceptual intent typically associated with painting and cinema. As Lyle Rexer pointed out in a 2016 issue of Photograph Magazine: Simen Johan is 'one of the first and best artists to incorporate digital image processing into this creative practice.' In a catalogue essay, David E. Little, Executive Director of the International Center of Photography, proclaims 'Johan's photographs underscore the importance of the creative act in photography, not as an act in itself, but as a means towards a conceptual and narrative goal.' Johan travels near and far to photograph his source material, and can find inspiration anywhere from the local zoo to the jungles of Costa Rica, or the lava fields of Iceland. He then spends countless hours assembling his images captured in these far-flung locations into a unifying whole. The result is an often-unsettling sense of placelessness. We see in this collection images of pigeons flocking toward light like moths (or angels); stripes on a dazzle of Grevy's zebras mesh with the fronds of geographically incongruent palms; two hapless caribou glazed with ice, frozen in a scene that is both tranquil and brutal. Each image reveals poetic and often unexpected relationships that speak to the illusory and multifaceted nature of existence. Tensions between what is revealed and what is concealed, what is alluring and what is menacing, what is fact and what is fiction, both shape and unsettle the scenes. Simen Johan is a 15-year-long project, started in 2005; it is gathered in book form here in its entirety for the very first time.