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Siamese Twins de Griselda Gambaro

Siamese Twins: Oberon Modern Plays

Autor Griselda Gambaro Traducere de Gwen MacKeith
en Limba Engleză Paperback – sep 2011
In this absurd and forceful play, two brothers, one weak, one strong, play out a primal scene of envy, cruelty and torture as the strong exerts his power and aggression over the weak. Involuntarily, the audience finds itself complicit in the brutality witnessed onstage through Gambaro's command of powerful and irresistible black humor.
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Specificații

ISBN-13: 9781849431477
ISBN-10: 1849431477
Pagini: 64
Dimensiuni: 124 x 194 x 6 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays

Locul publicării:London, United Kingdom

Descriere

'I would like to, I would like to...cut the cord.'
First performed in 1967, this is an early, yet startling, brilliant work by the internationally acclaimed Argentine playwright Griselda Gambaro. In this absurd and forceful play, two brothers carry out a primal scene of envy, cruelty and torture. Ignacio wants to break free of his brother and move out of their shared house, but Lorenzo has other plans. Through a series of dark comedic scenes the absurd becomes a harrowing metaphor of the most pure and raw reality.

Notă biografică

Griselda Gambaro is one of Argentina's foremost dramatists. She was born in Buenos Aires in 1928 into a family of second-generation Italian immigrants. She began writing at the age of 24 but it was in her mid-thirties that she suddenly started to enjoy great recognition and success as a writer. In the early 1960s, Gambaro became involved with the avant-garde arts foundation the Instituto Torcuato Di Tella where she staged a series of four plays: Las paredes (The Walls) (1964), El desatino (The Blunder) (1965), Los siameses (The Siamese Twins) (1967) and El campo (The Camp) (1971). This began her international success which has continued to the present day. Her most recent production was El don at the Teatro Cervantes in 2015. Though her theatre takes the form of many varied aesthetic expressions, on some level Gambaro is always probing the nature of power, our conscience, and theatricality itself.