Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance: Arden Shakespeare Intersections
Editat de Dr Claire M. L. Bourne Dr. Farah Karim Cooper, Professor Gordon McMullan, Lucy Munro, Professor Sonia Massaien Limba Engleză Hardback – 26 aug 2021
Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare - and early modern drama more broadly - changes radically when 'either/or' approaches to the Shakespearean text are reconfigured. The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.
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Specificații
ISBN-13: 9781350128149
ISBN-10: 1350128147
Pagini: 464
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 x 35 mm
Greutate: 0.83 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare Intersections
Locul publicării:London, United Kingdom
ISBN-10: 1350128147
Pagini: 464
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 x 35 mm
Greutate: 0.83 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare Intersections
Locul publicării:London, United Kingdom
Cuprins
INTRODUCTION SHAKESPEARE / TEXT by Claire M. L. Bourne
I INCLUSIVE / EXCLUSIVE
1. FAIR / FOUL by B. K. Adams (Arizona State University, USA)
2. TEXT / PARATEXT by Hannah August (Massey University, New Zealand)
3. PUBLIC / PRIVATE by Elizabeth Zeman Kolkovich (Ohio State University, USA)
4. EDITION / TRANSLATION by Régis Augustus Bars Closel (Universidade Federal de Santa Maria, Brazil)
5. CANON / APOCRYPHA by Aleida Auld (University of Geneva, Switzerland)
II BEFORE / AFTER
6. NOW / THEN by Andy Kesson (University of Roehampton, UK)
7. MISCELLANY / SEQUENCE by Megan Heffernan (DePaul University, USA)
8. ORIGINAL / COPY by Dianne Mitchell (University of Colorado, Boulder, USA)
9. SOURCE / ADAPTATION by Sujata Iyengar (University of Georgia, USA)
10. LIFE / AFTERLIFE by Margaret Jane Kidnie (University of Western Ontario, Canada)
III AUTHORIZED / UNAUTHORIZED
11. BOOK / THEATRE by Holger Schott Syme (University of Toronto, Canada)
12. TEXT-BASED / CONCEPT-DRIVEN by Katherine Steele Brokaw (University of California, Merced, USA)
13. SENSE / NONSENSE by Rebecca L. Fall (Independent Scholar, USA)
14. FACT / FICTION by Adam G. Hooks (University of Iowa, USA)
15. PART / WHOLE by Paul Salzman (La Trobe University, Australia)
IV PRESENT / ABSENT
16. BLACK / WHITE by Miles P. Grier (Queens College, City University of New York, USA)
17. EXTANT / EPHEMERAL by Scott A. Trudell (University of Maryland, USA)
18. LOST / FOUND by Misha Teramura (University of Toronto, Canada)
19. PAPER / INK by Emma Depledge (University of Neuchâtel, Switzerland)
20. MATERIAL / DIGITAL by Zachary Lesser & Whitney Trettien (University of Pennsylvania, USA)
Bibliography
Index
I INCLUSIVE / EXCLUSIVE
1. FAIR / FOUL by B. K. Adams (Arizona State University, USA)
2. TEXT / PARATEXT by Hannah August (Massey University, New Zealand)
3. PUBLIC / PRIVATE by Elizabeth Zeman Kolkovich (Ohio State University, USA)
4. EDITION / TRANSLATION by Régis Augustus Bars Closel (Universidade Federal de Santa Maria, Brazil)
5. CANON / APOCRYPHA by Aleida Auld (University of Geneva, Switzerland)
II BEFORE / AFTER
6. NOW / THEN by Andy Kesson (University of Roehampton, UK)
7. MISCELLANY / SEQUENCE by Megan Heffernan (DePaul University, USA)
8. ORIGINAL / COPY by Dianne Mitchell (University of Colorado, Boulder, USA)
9. SOURCE / ADAPTATION by Sujata Iyengar (University of Georgia, USA)
10. LIFE / AFTERLIFE by Margaret Jane Kidnie (University of Western Ontario, Canada)
III AUTHORIZED / UNAUTHORIZED
11. BOOK / THEATRE by Holger Schott Syme (University of Toronto, Canada)
12. TEXT-BASED / CONCEPT-DRIVEN by Katherine Steele Brokaw (University of California, Merced, USA)
13. SENSE / NONSENSE by Rebecca L. Fall (Independent Scholar, USA)
14. FACT / FICTION by Adam G. Hooks (University of Iowa, USA)
15. PART / WHOLE by Paul Salzman (La Trobe University, Australia)
IV PRESENT / ABSENT
16. BLACK / WHITE by Miles P. Grier (Queens College, City University of New York, USA)
17. EXTANT / EPHEMERAL by Scott A. Trudell (University of Maryland, USA)
18. LOST / FOUND by Misha Teramura (University of Toronto, Canada)
19. PAPER / INK by Emma Depledge (University of Neuchâtel, Switzerland)
20. MATERIAL / DIGITAL by Zachary Lesser & Whitney Trettien (University of Pennsylvania, USA)
Bibliography
Index
Recenzii
Bourne's style is . lucid. She expresses her theories in an informal yet learned fashion. Many of the pieces in Shakespeare / Text sparkle.
[The] valuable contributions within Claire L. Bourne's momentous edited collection proffer a fitting cautionary tale to both editorial practice and scholarly analysis, pushing back against the definitions and categorizations that have structured earlier forays into 'editing, performance, and [theatre] history' . invaluable."
Shakespeare/Text's short chapters make it a particularly pleasant read . These chapters would be ideal as assigned reading for undergrad students to familiarize themselves with the variety in textual studies. For graduate students and academics, they provide great inspiration for avenues for further research.
[The] valuable contributions within Claire L. Bourne's momentous edited collection proffer a fitting cautionary tale to both editorial practice and scholarly analysis, pushing back against the definitions and categorizations that have structured earlier forays into 'editing, performance, and [theatre] history' . invaluable."
Shakespeare/Text's short chapters make it a particularly pleasant read . These chapters would be ideal as assigned reading for undergrad students to familiarize themselves with the variety in textual studies. For graduate students and academics, they provide great inspiration for avenues for further research.