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Shakespeare's Staged Spaces and Playgoers' Perceptions de D. Farabee

Shakespeare's Staged Spaces and Playgoers' Perceptions: Palgrave Shakespeare Studies

Autor D. Farabee
en Limba Engleză Paperback – 2014
This engaging study offers fresh readings of canonical Shakespeare plays, illuminating ways stagecraft and language of movement create meaning for playgoers. The discussions engage materials from the period, present revelatory readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning.
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Specificații

ISBN-13: 9781349491032
ISBN-10: 1349491039
Pagini: 196
Ilustrații: XI, 180 p.
Dimensiuni: 140 x 216 x 11 mm
Greutate: 0.25 kg
Ediția:1st edition 2014
Editura: Palgrave MacMillan
Colecția Palgrave Shakespeare Studies
Seria Palgrave Shakespeare Studies

Locul publicării:London, United Kingdom

Cuprins

Acknowledgements Note on Texts Introduction 1. Perceptions and Possibility in A Midsummer Night's Dream : 'To leave the figure or disfigure it' 2. Grounded Action and Making Space in Richard II : 'How comest thou hither?' 3. Narrative and Spatial Movement in Hamlet : 'To find his way' 4. Place, Perception, and Disorientation in Macbeth: 'A walking shadow' 5. Direction and Space in The Tempest: 'Through forth-rights and meanders' Conclusion: Movements of Genre and Other Directions: 'As strange a maze' Notes Bibliography Index

Recenzii

“Darlene Farabee’s new book contributes to thisinvestigation, considering not only how Shakespeare establishes locations inhis plays, but also how his audience perceives the mapping of his stage. … Farabee’sbook is clear and engaging, its prose often luminous, and the questions itraises about the disorienting effects of theatrical experience – and the waysShakespeare reassures or relocates his audience – are intriguing ones.” (ElizabethMazzola, Renaissance Quarterly, Vol. 68 (4), 2015)

Notă biografică

Darlene Farabee is Associate Professor of English at the University of South Dakota, USA. She is co-editor (with Mark Netzloff and Bradley D. Ryner) of Early Modern Drama in Performance.