Sex on Stage: Performing the Body Politic
Editat de Alison J Carr, Lynn Sallyen Limba Engleză Paperback – mai 2025
Sex on Stage uncovers how gender and sexuality collide on stage in dynamic, dramatic, and thought-provoking ways. By taking a broad view of sex and the stage, this book tracks influences across the underground, marginalised, and the mainstream, from 'high' contemporary live art to the 'low' of entertainment.
Across these mediums, the staging of sex pushes against decorums of respectability, instead flaunting the body to shock, to entertain, to tell stories, and to display a new kind of gender expression. The subjects and contributors included in this collection inhabit their bodies-in fact, demand the agency of the body-in self-authored ways. Gender and sexuality here are performative, and what comes into being challenges traditional constructions of both femininity and sexuality.
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Specificații
ISBN-13: 9781350443655
ISBN-10: 1350443654
Pagini: 240
Dimensiuni: 156 x 232 x 18 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350443654
Pagini: 240
Dimensiuni: 156 x 232 x 18 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Setting the Stage: An Introduction
ACT I: ESSAYS
Chapter 1: "Pole Dancing Academic: Decompartmentalising the Personal, Sexual and Professional while Blending Pole Dance and Research Careers" by Carolina Are
Chapter 2: "Consuming Asiatic Femininity through Foodlesque-Exploring East-Asian Exoticism through Calamity Chang's Model Mi-Nori-ty Roll" by Julia Matias
Chapter 3: "Selling Out: Art, Stripping, and Sexual Desire on the Public Stage" by Marissa Vigneault
Chapter 4: "'The Audience is My Source of Hate': Xandra Ibarra and Fucking Whiteness" by Erin Rachel Kaplan
Chapter 5: "The Inheritance: Queer Sex in the Theatre of HIV/AIDS" by Ash Hudson-Myers
Chapter 6: "The Only Way Out is Through VIP: Discovering Genderqueer Identities through High Femme Strip Club Performances" by Ella-Gabriel Mason
Chapter 7: The Tar Baby Principle | Experiment 0.1 - A Trickster's Silence" by Ra/Malika Imhotep
Intermission I: "The ELSC Files" by Julie Cook
ACT II: MONOLOGUES
Chapter 8: "Titillation: Radical Visibility or When I Found Out I had Cancer, I Watched Dirty Dancing Over and Over Again" by Emily Underwood-Lee
Chapter 9: "The Becoming of Miss AuroraBoobRealis: From Fourteen-Year Old Club Kid to Co-Founder of Brown Girls Burlesque" by DawN Crandell
Chapter 10: "When in Doubt, Body Roll: Stories of Stripper Accidents" by Zahra Stardust
Chapter 11: "Performing Intimate Experiences in a Black Queer Body" by Toussaint Jeanlouis
Chapter 12: "Reading Nana, Théatre des Variétés" by Sharon Kivland
Chapter 13: "Stripping off Shame and Revealing Hot Joy" by Anna Brooke
Chapter 14: "Requiem for a Stripper's Suitcase" by Stacey Clare
Intermission II: "The Whoopee Club" by Lara Clifton and Tamara Tyrer with photos by Sarah Ainslie
ACT III: DIALOGUES
Chapter 15: "What Pleasure Actually Means: An Interview with Intimacy Director Yarit Dor" by Alexander Millington with Yarit Dor
Chapter 16: "Feeling Liberation: Queer Gestures Toward a World Without Rape in Jadelynn St Dre's 'Choreographies of Disclosure'" by Julia Havard and Jadelynn St Dre
Chapter 17: "The Queen of Filth: Rose Wood Comes Clean with Joe E. Jeffreys" by Joe E. Jeffreys and Rose Wood
Notes on Contributors
Setting the Stage: An Introduction
ACT I: ESSAYS
Chapter 1: "Pole Dancing Academic: Decompartmentalising the Personal, Sexual and Professional while Blending Pole Dance and Research Careers" by Carolina Are
Chapter 2: "Consuming Asiatic Femininity through Foodlesque-Exploring East-Asian Exoticism through Calamity Chang's Model Mi-Nori-ty Roll" by Julia Matias
Chapter 3: "Selling Out: Art, Stripping, and Sexual Desire on the Public Stage" by Marissa Vigneault
Chapter 4: "'The Audience is My Source of Hate': Xandra Ibarra and Fucking Whiteness" by Erin Rachel Kaplan
Chapter 5: "The Inheritance: Queer Sex in the Theatre of HIV/AIDS" by Ash Hudson-Myers
Chapter 6: "The Only Way Out is Through VIP: Discovering Genderqueer Identities through High Femme Strip Club Performances" by Ella-Gabriel Mason
Chapter 7: The Tar Baby Principle | Experiment 0.1 - A Trickster's Silence" by Ra/Malika Imhotep
Intermission I: "The ELSC Files" by Julie Cook
ACT II: MONOLOGUES
Chapter 8: "Titillation: Radical Visibility or When I Found Out I had Cancer, I Watched Dirty Dancing Over and Over Again" by Emily Underwood-Lee
Chapter 9: "The Becoming of Miss AuroraBoobRealis: From Fourteen-Year Old Club Kid to Co-Founder of Brown Girls Burlesque" by DawN Crandell
Chapter 10: "When in Doubt, Body Roll: Stories of Stripper Accidents" by Zahra Stardust
Chapter 11: "Performing Intimate Experiences in a Black Queer Body" by Toussaint Jeanlouis
Chapter 12: "Reading Nana, Théatre des Variétés" by Sharon Kivland
Chapter 13: "Stripping off Shame and Revealing Hot Joy" by Anna Brooke
Chapter 14: "Requiem for a Stripper's Suitcase" by Stacey Clare
Intermission II: "The Whoopee Club" by Lara Clifton and Tamara Tyrer with photos by Sarah Ainslie
ACT III: DIALOGUES
Chapter 15: "What Pleasure Actually Means: An Interview with Intimacy Director Yarit Dor" by Alexander Millington with Yarit Dor
Chapter 16: "Feeling Liberation: Queer Gestures Toward a World Without Rape in Jadelynn St Dre's 'Choreographies of Disclosure'" by Julia Havard and Jadelynn St Dre
Chapter 17: "The Queen of Filth: Rose Wood Comes Clean with Joe E. Jeffreys" by Joe E. Jeffreys and Rose Wood
Notes on Contributors
Recenzii
This is an engaging and wide-ranging collection, exploring several of the many facets of sex on stage. The work included here is sharp, insightful, and well-written, and the text as a whole is a pleasure to read.
This edgy, innovatively structured anthology presents a multi-faceted look at the raced/classed/gendered exploration of performance, transformation, and joy. Some pieces ingeniously approximate the experience of being inside a performance. The anthology is buoyant, boisterous, challenging, sometimes furious, always moving
A cross-stage panoply of perspectives is offered in this unique and important collection; it's a book full of individual voices, moving bodies, and generative conversations, often breaking down the boundaries between scholarship, experience, and practice. Sex on Stage is a lively, rigorous, and thought-provoking enquiry that evokes the thrills and quandaries of performance.
This edgy, innovatively structured anthology presents a multi-faceted look at the raced/classed/gendered exploration of performance, transformation, and joy. Some pieces ingeniously approximate the experience of being inside a performance. The anthology is buoyant, boisterous, challenging, sometimes furious, always moving
A cross-stage panoply of perspectives is offered in this unique and important collection; it's a book full of individual voices, moving bodies, and generative conversations, often breaking down the boundaries between scholarship, experience, and practice. Sex on Stage is a lively, rigorous, and thought-provoking enquiry that evokes the thrills and quandaries of performance.