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Seeds: Signals, Fragments, and Structures of Silence: Brill Research Perspectives in Humanities and Social Sciences / Brill Research Perspectives in Popular Culture

Autor Bill Zima
en Limba Engleză Paperback – 9 iul 2026
Seeds asks what must already be in place for thought, perception, and relation to begin. You enter a modular and recursive text built from signals, fragments, and Morse-based structures, where rhythm and interval operate as temporal engines and silence functions as condition rather than absence. Instead of narrating experience, Seeds records executed forms—pulses, delays, repetitions—so meaning appears as a late arrival rather than a foundation. The book foregrounds emergence without origin, growth without teleology, and coherence without hierarchy, offering a media-archaeological poetics of structure that can be entered anywhere and revisited without closure.
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Specificații

ISBN-13: 9789004763340
ISBN-10: 9004763341
Pagini: 217
Dimensiuni: 155 x 235 mm
Greutate: 0.47 kg
Editura: Brill
Colecția Brill
Seria Brill Research Perspectives in Humanities and Social Sciences / Brill Research Perspectives in Popular Culture


Notă biografică

Bill Zima (School of the Art Institute of Chicago, BFA, 1990) is an outsider conceptual artist, theorist, and media archaeologist based in the Scottish Highlands. His work investigates silence, signal, and operative time through Morse-based structures across writing, sound, and form.

Cuprins

Contents
Foreword
Preface
List of Figures
Introduction
Orientation and Context

Part 1 Seeds: Fields and Fragments

Introduction to Part 1

1 Breath and Rhythm

2 Time Structures

3 Silence and Survival

4 Symbol and Signal

5 Perception and Pattern

6 Collapse and Continuity

7 Emotional Simultaneity

Fragments Index

Part 2 Foundational Seeds

Introduction to Part 2

8 Against the Grain—Chomsky, Generative Structure, and the Poetics of Signal

9 Archetype, Signal, and the Unconscious Structure—Working with Jung in Pattern and Breath

10 Cognitive Origami—Immersion, Latent Memory, and the Velocity of Thought

11 Drift, Trace, Delay—Working with Derrida in Signal and Silence

12 Duration as Breath—Bergson, Memory, and the Time of Signal

13 Dwelling in the Signal—Heidegger, Being, and the Structure of Presence

14 Embodied Signal—Simone de Beauvoir, Ambiguity, and the Practice of Becoming

15 From Story to Signal—Folklore, Morse Code, and the Architecture of Collective Wisdom

16 Hauntology in Signal—Fisher, Lost Futures, and the Architecture of Delay

17 Holding Time—Bowlby, Attachment, and the Structure of Emotional Survival

18 I Am a Forest—Nietzsche, Signal, and the Darkness of Structure

19 Inner Architectures—Bachelard, Breath, and the Poetics of Space-Time

20 Inscription and Survival—Kittler, Signal/Noise, and the Architecture of Media

21 Memory Inscribed—Proust, Duration, and the Architecture of Recall

22 Myth as Code—Lévi-Strauss, Structure, and the Pulse of Thought

23 Oceans of Time: Signal, Longing, and the Breath of the Unsaid

24 Open Work, Signal Drift—Eco, Semiotics, and the Interpretation of Structure

25 Other Tongues—Language, Identity, and the Morse Code Self

26 Perception Held in Breath—Merleau-Ponty and the Embodied Signal

27 Repetition as Being—Aristotle, Habit, and the Structure of Signal

28 Rip Van Winkle Memory—Lost Books, Latent Thought, and the Return through Signal

29 Saussure and the Drift of the Signifier—Signal, Residue, and Emotional Structure

30 Signal and the Infinite Line—Shakespeare, Memory, and the Breath of the Word

31 Signal as Appearance—Arendt, Action, and the Architecture of Presence

32 Signal as Holding—Erskine, Relational Needs, and the Structure of Presence

33 Signal in Collapse—My Work and the Architecture of Collapsology

34 Signal, Lack, and Structure—Lacan, the Symbolic, and the Code of Desire

35 Signal, Trace, Presence—Working inside Peirce’s Triad

36 Signs of My Time—from My Father’s Shop to Signal, Baudrillard, and the Collapse of the Real

37 Simulacra, Signal, and Silence—Living beyond Meaning

38 Structure and Nothingness—Sartre, Being, and the Signal of Existence

39 The Architecture of Collapse

40 The Archive of Signal—Foucault, Discourse, and Structures of Survival

41 The Aura of the Signal—Benjamin, Memory, and the Repetition of Presence

42 The Function of the Signal—Jakobson, Structure, and the Poetics of Code

43 The Gesture Becomes the Signal—Cocteau, Metamorphosis, and the Poetics of Code

44 The Grain of the Signal—Barthes, Mythologies, and the Residue of Voice

45 The Grid Is My Home

46 The Law of the Signal—Kafka, Structure, and the Poetics of Ambiguity

47 The Medium Is the Signal—McLuhan, Environment, and the Code of Presence

48 The Performativity of Silence—Butler, Voice, and the Code of Survival

49 The Repetition of Presence—Kierkegaard, Inwardness, and Signal as Leap

50 The Return of the Signal—Freud, Latency, and Repetition as Presence

51 The Rhythm Beneath—Kristeva, Semiotic Pulse, and Signal as Survival

52 The Signal of Revolt—Camus, Absurdity, and Structure without Hope

53 The Time of the Signal—Ernst, Sonicity, and Media as Temporal Structure

54 The Work in My Soul—Frankenstein, Trauma, and the Signal of the Ununderstood

55 Through the Door of Code

56 What Can Be Shown—Wittgenstein, Language Games, and the Silence of Signal

57 Whispers of Time—Global Stories as Signal Structures

Part 3 Codebook: Sketchbook Signals

Introduction to Part 3

Part 4 Selected Collected Seeds (Essays)

Introduction to Part 4

Aesthetics and My Practice

Art Theory and My Practice (with Footnotes)

Cognitive Aesthetics and My Practice

Collapsology and My Practice

Disability Studies and My Practice

Embodiment and My Practice

Media Archaeology and My Practice

Memory Studies and My Practice

Neurodivergence and My Practice

Phenomenology and My Practice

Semiotics and My Practice

Trauma Studies and My Practice
Bibliography

Appendix A: Structure and Orientation

Appendix B: Key Terms and Conceptual Vocabulary