What are the historical, material and epistemic conditions of »the digital« as a contingent, situated and contested formation? Bringing together scholars from a wide range of disciplines and institutions, the volume approaches digitality’s conceptual instability as a productive methodological resource. Organized around the heuristic themes of Material, Design, and Environment, the contributors investigate digital infrastructures, material genealogies, and design practices across different scales, times and contexts. Together they argue that knowlegde of the digital is situated within interdisciplinary exchange and critical engagement with the entangled relations among technology, power, history, and society.