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Saying Something: Jazz Improvisation and Interaction: Chicago Studies in Ethnomusicology

Autor Ingrid Monson
en Limba Engleză Paperback – 15 mar 1997
A close-up exploration of the role of the rhythm section in jazz ensemblers

This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life.

Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.


 
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Specificații

ISBN-13: 9780226534787
ISBN-10: 0226534782
Pagini: 261
Ilustrații: 6 line drawings, 19 musical examples
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.37 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
Seria Chicago Studies in Ethnomusicology


Notă biografică

Ingrid Monson is assistant professor of music at Washington University.

Cuprins

List of Illustrations
Acknowledgments
Introduction
1: Talking to Musicians
2: Grooving and Feeling
3: Music, Language, and Cultural Styles: Improvisation as Conversation
4: Intermusicality
5: Interaction, Feeling, and Musical Analysis
6: Ethnomusicology, Interaction, and Poststructuralism
Coda
Notes
Interviews
Recordings
Bibliography
Index

Recenzii

“A musician once told me that music has to speak for itself—words cannot do it. Ingrid Monson has wondrously proved the opposite. I hear more now.”

“A tour de force that carries the reader on an unforgettable journey into the creative, emotions, and communicative world of the jazz rhythm section.”