Sarah Anna Glover: Nineteenth Century Music Education Pioneer
Autor Jane Southcotten Limba Engleză Hardback – 13 noi 2019
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Specificații
ISBN-13: 9781793606037
ISBN-10: 179360603X
Pagini: 382
Ilustrații: 33 b/w illustrations;6 tables;
Dimensiuni: 159 x 232 x 28 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
ISBN-10: 179360603X
Pagini: 382
Ilustrații: 33 b/w illustrations;6 tables;
Dimensiuni: 159 x 232 x 28 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
Cuprins
Chapter One: Introduction
Chapter Two: The Early Life and Ideas of Sarah Glover
Chapter Three: First Music Education Experiments
Chapter Four: Advice from an old friend
Chapter Five: The German Canons and the Sol-fa Tune Book
Chapter Six: The Norwich Solfa Fully Worked Out
Chapter Seven: The Solfa Harmonicon with Rotary Cylinder
Chapter Eight: Teaching the Norwich Solfa
Chapter Nine: Glover's Fascination with Prismatic Colour and Natural Theology
Chapter Ten: Support and Criticism
Chapter Eleven: Good Works
Chapter Twelve: John Curwen Takes Hold of Miss Glover's Method
Chapter Thirteen: Curwen's Modifications and Management
Chapter Fourteen: An Uneasy Truce
Chapter Fifteen: Collegial Correspondence with John Hullah
Chapter Sixteen: Semi-Retirement
Chapter Seventeen: New Lodgings
Chapter Eighteen: The Friction Continues
Chapter Nineteen: The Final Years
Chapter Twenty: Re-Writing History
Chapter Two: The Early Life and Ideas of Sarah Glover
Chapter Three: First Music Education Experiments
Chapter Four: Advice from an old friend
Chapter Five: The German Canons and the Sol-fa Tune Book
Chapter Six: The Norwich Solfa Fully Worked Out
Chapter Seven: The Solfa Harmonicon with Rotary Cylinder
Chapter Eight: Teaching the Norwich Solfa
Chapter Nine: Glover's Fascination with Prismatic Colour and Natural Theology
Chapter Ten: Support and Criticism
Chapter Eleven: Good Works
Chapter Twelve: John Curwen Takes Hold of Miss Glover's Method
Chapter Thirteen: Curwen's Modifications and Management
Chapter Fourteen: An Uneasy Truce
Chapter Fifteen: Collegial Correspondence with John Hullah
Chapter Sixteen: Semi-Retirement
Chapter Seventeen: New Lodgings
Chapter Eighteen: The Friction Continues
Chapter Nineteen: The Final Years
Chapter Twenty: Re-Writing History
Recenzii
Southcott's work. . . provides an important missing piece to the history of music education. As there is a link from Curwen to Zoltan Kodaly, it is essential to know that Sarah Anna Glover formed part of that link as well.
Jane Southcott's biography of Sarah Glover offers a scholarly and authoritative account of the life and work of this pioneer music educator. Throughout the engaging and accessible narrative, Southcott provides information that extends and corrects the work of previous scholars, while also capturing the character and spirit of Glover herself. Of particular interest are the clear and detailed descriptions of Glover's pedagogical processes and the often misunderstood relationship between her work and that of John Curwen. This book contributes a great deal to the historical record of music education and provides a model of research that other authors in our field should strive to emulate.
An important contribution to understanding Sarah Glover, the pioneering nineteenth century British music educator, Sarah Anna Glover: Nineteenth Century Music Education Pioneer chronicles Glover's unfailing commitment to the nurturing of children's musical selves. The compelling book acknowledges Glover's commitment to "sound before symbol" and her innovative efforts to shape the Tonic Sol-fa system as a paramount pedagogical strategy. Jane Southcott succeeds in correcting the inaccuracies of earlier chronicles of Glover and challenging the old lore that surrounds Glover's life and times; she leaves no stone unturned in telling truth of a gifted teacher with an independent spirit and a dedication worthy of imitation today.
Jane Southcott's biography of Sarah Glover offers a scholarly and authoritative account of the life and work of this pioneer music educator. Throughout the engaging and accessible narrative, Southcott provides information that extends and corrects the work of previous scholars, while also capturing the character and spirit of Glover herself. Of particular interest are the clear and detailed descriptions of Glover's pedagogical processes and the often misunderstood relationship between her work and that of John Curwen. This book contributes a great deal to the historical record of music education and provides a model of research that other authors in our field should strive to emulate.
An important contribution to understanding Sarah Glover, the pioneering nineteenth century British music educator, Sarah Anna Glover: Nineteenth Century Music Education Pioneer chronicles Glover's unfailing commitment to the nurturing of children's musical selves. The compelling book acknowledges Glover's commitment to "sound before symbol" and her innovative efforts to shape the Tonic Sol-fa system as a paramount pedagogical strategy. Jane Southcott succeeds in correcting the inaccuracies of earlier chronicles of Glover and challenging the old lore that surrounds Glover's life and times; she leaves no stone unturned in telling truth of a gifted teacher with an independent spirit and a dedication worthy of imitation today.