Rigoletto: Melodramma in Three Acts by Francesco Maria Piave: The Works of Giuseppe Verdi, Series I: Operas, cartea 17
Autor Giuseppe Verdi Editat de Martin Chusiden Limba Engleză Hardback – 15 feb 1983
The University of Chicago Press, in collaboration with Casa Ricordi of Milan, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The Works of Giuseppe Verdi, the only edition based exclusively on original sources and the only one to present authentic versions of all the composer's works, will include each of Verdi's twenty-eight operas (all versions), his sacred music, songs, chamber music, and juvenilia. The series begins with the definitive version of Rigoletto.
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Specificații
ISBN-13: 9780226853062
ISBN-10: 0226853063
Pagini: 447
Ilustrații: Two-volume set. Score (one volume cloth); Commentary
Dimensiuni: 267 x 368 x 69 mm
Greutate: 3.63 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
Seria The Works of Giuseppe Verdi, Series I: Operas
ISBN-10: 0226853063
Pagini: 447
Ilustrații: Two-volume set. Score (one volume cloth); Commentary
Dimensiuni: 267 x 368 x 69 mm
Greutate: 3.63 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
Seria The Works of Giuseppe Verdi, Series I: Operas
Cuprins
List of illustrations Introduction by Jonathan Keates Musical Commentary by Roger Parker The Timelessness of 'Rigoletto' by Peter Nichols Thematic Guide 'Rigoletto' Italian libretto by Francesco Maria Piave after Victor Hugo's 'Le roi s'amuse' English translation by James Fenton Act One Act Two Act Three Discography by David Nice Bibliography
Notă biografică
Giuseppe Verdi (1813-1901) is one of Italy's most celebrated opera composers. His best-known operas include "Rigoletto," "Il trovatore," "La traviata," and "Aida."
Recenzii
These guides, so beautiful to have and to behold, mark a huge advance on their predecessors. I find them essential supplements, not only to ENO and Royal Opera programmes, but to recordings issued on CD which often come without scholarly documentation and a libretto. The performance histories - of which I wrote one myself - are especially valuable, and not easily accessible elsewhere.
For anyone with a keen interest in opera, whatever their level of knowledge, this series remains a benchmark of quality and clarity. The content is serious, reliable and trustworthy, handsomely put together, full of variety and scholarship but always making the practical experience of going to the opera a priority. I return to these volumes again and again and find the updated and new issues absolutely invaluable.
This uniformly excellent series is indispensable for the serious opera lover, all the more so now that almost all the CD companies have abandoned issuing a libretto with their opera releases, and have such scant background information. The English translations are on facing pages with the original texts, and in all respects the books are helpful and compact, and interestingly illustrated.
I am delighted to see the return of the ENO Opera Guides, bigger and even more authoritative than before. There are authoritative new articles as well as several of the irreplaceable originals, the presentation is very handsome and a decided gain is the brilliantly chosen selection of production images, in colour as well as black and white. The Guides are an invaluable reference for opera lovers at any level.
For anyone with a keen interest in opera, whatever their level of knowledge, this series remains a benchmark of quality and clarity. The content is serious, reliable and trustworthy, handsomely put together, full of variety and scholarship but always making the practical experience of going to the opera a priority. I return to these volumes again and again and find the updated and new issues absolutely invaluable.
This uniformly excellent series is indispensable for the serious opera lover, all the more so now that almost all the CD companies have abandoned issuing a libretto with their opera releases, and have such scant background information. The English translations are on facing pages with the original texts, and in all respects the books are helpful and compact, and interestingly illustrated.
I am delighted to see the return of the ENO Opera Guides, bigger and even more authoritative than before. There are authoritative new articles as well as several of the irreplaceable originals, the presentation is very handsome and a decided gain is the brilliantly chosen selection of production images, in colour as well as black and white. The Guides are an invaluable reference for opera lovers at any level.