Resetting the Coordinates: An anthology of performance art in Aotearoa New Zealand
Editat de Christopher Braddock, Victoria Wynne-Jones, Layne Waerea, Ioana Gordon-Smithen Limba Engleză Paperback – 12 sep 2024
From the post-object and performance art of the late 1960s to the rich vein of Māori and Pacific performance art from the early 1990s, its 18 chapters by researchers and practitioners is a major reference for art and performance communities of New Zealand, Australia and further afield.
It discusses the influential work of Jim Allen, Phil Dadson, Peter Roche and Linda Buis, performance art initiatives in post-earthquake Christchurch and queer performance art, among many other topics.
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Specificații
ISBN-13: 9781991016546
ISBN-10: 1991016549
Pagini: 392
Dimensiuni: 190 x 250 x 40 mm
Greutate: 1.03 kg
Editura: Massey University Press
Colecția Massey University Press
Locul publicării:Auckland, New Zealand
ISBN-10: 1991016549
Pagini: 392
Dimensiuni: 190 x 250 x 40 mm
Greutate: 1.03 kg
Editura: Massey University Press
Colecția Massey University Press
Locul publicării:Auckland, New Zealand
Cuprins
Introduction. Resetting the Coordinates
Christopher Braddock /9
Chapter 1. A Place, a Question, a Challenge, a Call to Action: Performance in the 1970s
Blair French /34
Chapter 2. Kimberley Gray: A case study in the development towards performance, 1970–76
Natasha Conland /54
Chapter 3. Getting It Straight: Contact, 1974 and 2010
Jim Allen & James Charlton /72
Chapter 4. Body Politics: Women and performance in the 1980s
Melanie Oliver /88
Chapter 5. The Afterlives of Performance Art: The case of Peter Roche and Linda Buis
Christina Barton & Gregory Burke /108
Chapter 6. Sound and Performance Cultures in Aotearoa
Rachel Shearer & Andrew Clifford /128
Chapter 7. Curating Performance/Curatorial Performativity: A selected history of curating performance art in Aotearoa 1970–2020
Bruce E. Phillips & Heather Galbraith /150
Chapter 8. Mātauranga Māori and Whakapapa of Change in Performance Art of Aotearoa
Layne Waerea /170
Chapter 9. Urban Pasifika and Cold Islanders
Ioana Gordon-Smith /188
Chapter 10. Constellations of Subjectivity: Engaging the emergent, adaptive and fluid nature of lived social difference in Māori and Moana performance art
Lana Lopesi & Layne Waerea /206
Chapter 11. Either For a Moment or For as Long as Possible
Christopher Braddock & Ioana Gordon-Smith /222
Chapter 12. Three Types of Timepass
Balamohan Shingade /242
Chapter 13. It’s a Work: Spectacular secrecy in private and unannounced performances
Christopher Braddock & Victoria Wynne-Jones /260
Chapter 14. Threads: Musings on queer performance art in Aotearoa
Ioana Gordon-Smith & Khye Hitchcock /278
Chapter 15. The Skin of Displaced Event in Aotearoa Performance Art
Lisa Samuels /298
Chapter 16. Performance Art in Post-quake Ōtautahi Christchurch
Audrey Baldwin & Khye Hitchcock /314
Chapter 17. Cry for Attention: Post-internet performances by Natasha Matila-Smith and Sione Tuívailala Monū Victoria Wynne-Jones & Lana Lopesi /334
Chapter 18. Performing Environments with More-than-Human Whanaunga
Janine Randerson & Amanda Yates /348
Glossary of Māori and Pacific terms /372
About the authors /380
Acknowledgements /385
Index /386
Christopher Braddock /9
Chapter 1. A Place, a Question, a Challenge, a Call to Action: Performance in the 1970s
Blair French /34
Chapter 2. Kimberley Gray: A case study in the development towards performance, 1970–76
Natasha Conland /54
Chapter 3. Getting It Straight: Contact, 1974 and 2010
Jim Allen & James Charlton /72
Chapter 4. Body Politics: Women and performance in the 1980s
Melanie Oliver /88
Chapter 5. The Afterlives of Performance Art: The case of Peter Roche and Linda Buis
Christina Barton & Gregory Burke /108
Chapter 6. Sound and Performance Cultures in Aotearoa
Rachel Shearer & Andrew Clifford /128
Chapter 7. Curating Performance/Curatorial Performativity: A selected history of curating performance art in Aotearoa 1970–2020
Bruce E. Phillips & Heather Galbraith /150
Chapter 8. Mātauranga Māori and Whakapapa of Change in Performance Art of Aotearoa
Layne Waerea /170
Chapter 9. Urban Pasifika and Cold Islanders
Ioana Gordon-Smith /188
Chapter 10. Constellations of Subjectivity: Engaging the emergent, adaptive and fluid nature of lived social difference in Māori and Moana performance art
Lana Lopesi & Layne Waerea /206
Chapter 11. Either For a Moment or For as Long as Possible
Christopher Braddock & Ioana Gordon-Smith /222
Chapter 12. Three Types of Timepass
Balamohan Shingade /242
Chapter 13. It’s a Work: Spectacular secrecy in private and unannounced performances
Christopher Braddock & Victoria Wynne-Jones /260
Chapter 14. Threads: Musings on queer performance art in Aotearoa
Ioana Gordon-Smith & Khye Hitchcock /278
Chapter 15. The Skin of Displaced Event in Aotearoa Performance Art
Lisa Samuels /298
Chapter 16. Performance Art in Post-quake Ōtautahi Christchurch
Audrey Baldwin & Khye Hitchcock /314
Chapter 17. Cry for Attention: Post-internet performances by Natasha Matila-Smith and Sione Tuívailala Monū Victoria Wynne-Jones & Lana Lopesi /334
Chapter 18. Performing Environments with More-than-Human Whanaunga
Janine Randerson & Amanda Yates /348
Glossary of Māori and Pacific terms /372
About the authors /380
Acknowledgements /385
Index /386
Recenzii
‘It is a fascinating book with lots of performances which have been rarely written about, seemingly lost to history but which tell us much about the social, political and spiritual examinations and soundings which artists have made.’ – John Daly-Peoples, NZ Arts Review
‘Kudos to the editors for assembling an anthology equal parts provocative, fascinating and necessary’ — Theo Macdonald, North & South
‘Kudos to the editors for assembling an anthology equal parts provocative, fascinating and necessary’ — Theo Macdonald, North & South