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Remaking the Monster: Transmedia Adaptations of Frankenstein’s Creature: Villains and Creatures: Critical Perspectives on Cultural Tropes

Autor Alissa Burger
en Limba Engleză Hardback – 16 apr 2026
In Remaking the Monster, Alissa Burger adopts an interdisciplinary approach to examine the continued influence of Frankenstein's Creature on popular culture, demonstrating through close readings the necessity of reconsidering its role and meaning as it has changed over time.
Since the Creature's introduction to the horror genre's canon, proliferating and evolving for over a century across a variety of media formats and genres, Burger posits that each new iteration of its appearance and impact encourages audiences to (re)consider critical questions about society and about ourselves. What are we capable of-both good and bad? What care, if any, do we owe to one another? And how might a monstrous appearance belie a deeper truth?
Ultimately, Burger argues, wherever and however the Creature appears, part of its innate function-and perhaps, the key to its perennial resonance with audiences-is found in the approachable opportunity to engage with daunting concepts of life and death, choice, agency, and, above all, what it means to be human.
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Specificații

ISBN-13: 9781666970258
ISBN-10: 1666970255
Pagini: 240
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Villains and Creatures: Critical Perspectives on Cultural Tropes

Locul publicării:New York, United States

Cuprins

Introduction
PART I: THEMES
1. Boris Karloff as the Creature
2. Encountering the Creature
3. A Community of Monsters
4. Gothic Prestige
5. The Desirable Creature

PART II: FORMATS
6. New Visions of the Creature in Graphic Narratives
7. The Animated Creature
8. Board Games
9. Video Games
10. Creating the Creature
Conclusion

About the Author
Index


Recenzii

Much like the Creature at its heart, this study is assembled from heterogenous sources. Cinema, graphic narratives, board games and video games, among other popular culture materials, all furnish the author with the necessary tools to trace the complex evolution and adaptational history of an archetypal monster whose afterlives have proven as colourful and significant as Mary Shelley's original novel. Remaking the Monster should appeal to transmedia and Gothic researchers.
Consistently insightful and entertaining, Alissa Burger's wide-ranging study makes clear that Frankenstein's creature has always been more than just the sum of its parts. Through its careful considerations of literature, film, television, comics, and gaming, Remaking the Monster shows us instead that each iteration of Shelley's malleable monster offers us a mirror into our shifting anxieties and desires, even as it insistently puts to us the question of what it means to be human.