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'Race Is Everything' de David Bindman

'Race Is Everything'

Autor David Bindman
en Limba Engleză Hardback – 26 iun 2023

Bazându-ne pe cercetările extinse ale lui David Bindman de la University College London, descoperim în 'Race Is Everything' o analiză riguroasă a modului în care arta a servit drept instrument de validare pentru ideologiile rasiale toxice. Lucrarea pornește de la premisa că estetica nu a fost un observator neutru, ci un participant activ în construcția ierarhiilor umane, folosind criterii precum forma craniului sau trăsăturile faciale pentru a deduce caracterul și inteligența. Reținem din acest volum o examinare critică a perioadei cuprinse între secolul al XIX-lea și mijlocul secolului al XX-lea, unde frenologia și eugenia au dictat canoanele reprezentării vizuale. Structurat în jurul unor teme precum legătura dintre Darwin și estetică sau utilizarea Egiptului antic ca precedent pentru sclavia sudică, textul este susținut de un aparat vizual bogat, cuprinzând peste o sută de ilustrații. Cititorii familiarizați cu Race-ing Art History vor aprecia modul în care Bindman aduce rasele în centrul analizei, nu doar ca temă secundară, ci ca principiu structural al istoriei artei europene. Față de The Invention of Race, care se concentrează pe geneza taxonomică a rasei în muzee și expoziții, volumul de față oferă o perspectivă mai aplicată asupra impactului acestor idei asupra unor artiști individuali, precum Emil Nolde, și asupra modului în care 'știința' rasială a modelat însăși percepția frumosului.

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Specificații

ISBN-13: 9781789146967
ISBN-10: 1789146968
Pagini: 320
Ilustrații: 11 color plates, 99 halftones
Dimensiuni: 164 x 236 x 31 mm
Greutate: 0.7 kg
Editura: REAKTION BOOKS

De ce să citești această carte

Această carte este esențială pentru studenții și cercetătorii din domeniul istoriei artei, sociologiei și studiilor culturale. Cititorul câștigă o înțelegere profundă a modului în care prejudecățile au fost deghizate în rigoare științifică și artistică. Este o resursă indispensabilă pentru oricine dorește să exploreze rădăcinile vizuale ale rasismului modern și modul în care reprezentările de ieri continuă să influențeze percepțiile de astăzi.

Despre autor

David Bindman este profesor emerit de istoria artei la University College London. Cariera sa este marcată de o preocupare constantă pentru intersecția dintre artă și identitate, fiind autorul unor lucrări de referință precum Hogarth și Body Language. Expertiza sa în reprezentarea persoanelor de origine africană în cultura vizuală occidentală este consolidată prin coordonarea unor proiecte monumentale, precum The Image of the Black in Western Art, Volume IV și The Image of the Black in Latin American and Caribbean Art, lucrări care au redefinit modul în care mediul academic abordează diversitatea etnică în beletristică și artele plastice.

Descriere scurtă

A timely and revealing look at the intertwined histories of science, art, and racism.
 
‘Race Is Everything’ explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas of the period lies the belief that outward appearance—and especially skull shape, as studied in the pseudoscience of phrenology—can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race, and aesthetics; the purported “Mediterranean race”; the visual aspects of eugenics; and the racial politics of Emil Nolde.

Notă biografică

David Bindman is the Emeritus Durning-Lawrence Professor of the History of Art, University College London, and a fellow of the Hutchins Center, Harvard University. He is the author or editor of many books including Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century, also published by Reaktion Books.

Recenzii

"I must say, I really enjoyed reading this book. You might think you can anticipate the sort of examples of racialisation to be found in art history. . . .But that is to do the book a disservice. The sheer variety of examples on offer, as well as the clarity and richness Bindman brings to the discussion is worth the price of admission."

"'Race is Everything': Art and Human Difference parses the pivotal role of the visual arts in both defining and perpetrating racism in the West, particularly in the nineteenth and early twentieth centuries. Cool, informed, and artful, Bindman traces these prejudices back to the Romans and Greeks, whose take on beauty has remained remarkably resilient. . . . Bindman’s compassion, however, never out- weighs his intellectual agility. 'Race is Everything' is profound and troubling but fundamentally directive, illustrating what needs to be done to rectify our ignorance and the cultural inculcation of hatred."

“Few scholars have done more than Bindman to untangle the complex, interconnected histories of art and race. Fewer still have attempted to do so across such a dramatic sweep of time and space. Throughout this important study, he deftly shows how the visual culture of the nineteenth century both depended on and promoted racial ideologies, which were so often based in contemporary conceptions of science. Indeed, Bindman writes, ‘the science on which such racial hierarchies were based was essentially visual.’ Without visual representation, racial science would have struggled to survive. But with visual representation, it was, by the end of the century, more prolific and inescapable than ever, being broadcast in advertisements and other images that became a central part of the way people lived and learned. Bindman brilliantly explains the historical antecedents of this process, as well as its disastrous results.”

"In this wonderful book Bindman brilliantly explores the ways in which visual art has represented the very idea of racial hierarchy. Linking ‘scientific’ ideas with the works and lives of artists in the nineteenth and twentieth centuries, this lucid, lavishly illustrated text ranges from high art to popular racist imagery, and highlights resisters such as Frederick Douglass and W. E. B. Du Bois."

"In this remarkable book, Bindman shows how concepts of packaged human differences labeled as races have deformed every aspect of the human experience and human society. Can a book about race be a page turner? Yes, absolutely, and this is it!"

“Bindman’s ‘Race Is Everything’ more than fulfills the promise of its title. How we see race is determined by our ideologies of difference, which are often so habituated that we believe we see our world and its inhabitants in an unmitigated manner. By looking at the visual codes in modern Western art representing difference—from the African to the Jew and beyond—Bindman provides us with means of deciphering our visual codes while detailing how such codes evolved and persist. A brilliant (and beautiful) work of cultural criticism.”

"Race has been typically treated as at most a troubling theme, topic, or issue in art’s history, rather than a central, abiding—and toxic—structuring principle of the making, use, and understanding of art. Bindman puts race center stage, proving not only that for the last three centuries of European and American art race was 'everything,' but that such art, through the misuse of its visualizing powers, has been centrally responsible for this disastrous obsession. Eloquent, deeply learned, and fiercely passionate, this book should be required reading for anyone concerned with the history of art."