Queer Theory and Brokeback Mountain
Autor Matthew Tinkcomen Limba Engleză Hardback – 6 apr 2017
The second part examines Ang Lee's 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the film's adaptation by screenwriter Larry McMurtry of Annie Proulx's 1997 short story of the same title, this portion of the book examines the film's narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades.
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Specificații
ISBN-13: 9781501318818
ISBN-10: 1501318810
Pagini: 138
Dimensiuni: 132 x 209 x 11 mm
Greutate: 0.25 kg
Editura: BLOOMSBURY 3PL
Locul publicării:New York, United States
ISBN-10: 1501318810
Pagini: 138
Dimensiuni: 132 x 209 x 11 mm
Greutate: 0.25 kg
Editura: BLOOMSBURY 3PL
Locul publicării:New York, United States
Cuprins
Acknowledgements
Preface
Introduction
Chapter One: Queer Theory
Chapter Two: Queer Theory and Brokeback Mountain
Conclusion
List of Further Reading
Preface
Introduction
Chapter One: Queer Theory
Chapter Two: Queer Theory and Brokeback Mountain
Conclusion
List of Further Reading
Recenzii
Strongly recommended both for students coming to queer scholarship for the first time, and to those in Media Studies, Film Studies and Cultural Studies interested in how contemporary thinking around sexuality and gender might be explored in a piece of relatively mainstream cinema.
I can think of no other queer-film scholar to write this book. In Queer Theory and Brokeback Mountain, Matthew Tinkcom elegantly, clearly, and adroitly traces signature trajectories of queer theory, then stitches these concepts into traditions of film theory and close analysis. Merging Freud, Foucault, and Sedgwick with Bazin, Buscombe, and Mulvey, Tinkcom demonstrates a generous capacity to speak at once to well-heeled scholars, eager undergraduates, and cinephiles. A true page turner, Queer Theory and Brokeback Mountain delights in the complexly queer pleasures that the cinema offers.
Queer Theory and Brokeback Mountain deftly accomplishes a formidable, vital achievement: unpacking the often opaque tenets of queer theory in the service of illuminating the dynamic and contradictory cultural dialogue sparked by this landmark film. This eloquent, rigorous, and approachable volume places the film within the larger discourses of genre and reception studies while anticipating future priorities for queer media and scholarship.
In this compact volume, Matthew Tinkcom makes the key concepts of queer theory accessible to a new generation. Through its sustained, provocative engagement with Ang Lee's well-known film, this book not only introduces readers to current thought about non-normative gender and sexuality, but also demonstrates on every page how queer theory can enable fresh academic inquiry, both within and beyond film studies.
I can think of no other queer-film scholar to write this book. In Queer Theory and Brokeback Mountain, Matthew Tinkcom elegantly, clearly, and adroitly traces signature trajectories of queer theory, then stitches these concepts into traditions of film theory and close analysis. Merging Freud, Foucault, and Sedgwick with Bazin, Buscombe, and Mulvey, Tinkcom demonstrates a generous capacity to speak at once to well-heeled scholars, eager undergraduates, and cinephiles. A true page turner, Queer Theory and Brokeback Mountain delights in the complexly queer pleasures that the cinema offers.
Queer Theory and Brokeback Mountain deftly accomplishes a formidable, vital achievement: unpacking the often opaque tenets of queer theory in the service of illuminating the dynamic and contradictory cultural dialogue sparked by this landmark film. This eloquent, rigorous, and approachable volume places the film within the larger discourses of genre and reception studies while anticipating future priorities for queer media and scholarship.
In this compact volume, Matthew Tinkcom makes the key concepts of queer theory accessible to a new generation. Through its sustained, provocative engagement with Ang Lee's well-known film, this book not only introduces readers to current thought about non-normative gender and sexuality, but also demonstrates on every page how queer theory can enable fresh academic inquiry, both within and beyond film studies.