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Pushing the limits

Editat de Angelina Whalley
Notă GoodReads:
en Limba Engleză Paperback – August 2007

Who is Gunther von Hagens? To some, the creator of BODY WORLDS is an imposter, to others, he is a genius, and then there are those who see him as a monster and troublemaker. For the first time, relatives, friends, and colleagues who have accompanied him through various periods of his life reveal deep insights into this controversial personality. By means of their stories and anecdotes, they spotlight the hitherto unknown facets of this idiosyncratic anatomist. They tell of the serious and the funny, of the exciting and the offensive; but in any case, their tales of one of the mysterious figures of our times are adventurous and enthralling. Like pieces of a mosaic, the illustrated articles on his childhood, his escape from the socialist German Democratic Republic, his time as a university anatomist, and his role as producer of exhibitions form a multifarious encounter with the inventor of plastination and with his work. Gunther von Hagens, who got the book as a present for his 60ths birthday, was very surprised about the complexity of the stories and the choice of narrators: This book has given me back parts of my life, which I had already forgotten, for example my first tries of dissecting small animals in the woods of my hometown or my first failures in plastination. This book describes myself on the point and better than I ever could have done it.

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ISBN-13: 9783937256078
ISBN-10: 3937256075
Pagini: 293
Ilustrații: zahlreiche Abbildungen
Dimensiuni: 146 x 211 x 22 mm
Greutate: 0.56 kg
Ediția: 2., Aufl.
Editura: Arts & Sciences

Notă biografică

Angelina Whalley, born in 1960, studied medicine at the Free University of Berlin and graduated from the University of Heidelberg. There, she met Gunther von Hagens, and they got married in 1992. The approbated doctor is the President & CEO of the Institute for Plastination and the conceptual designer of the BODY WORLDS exhibitions, which debuted in Japan in 1995. Since then, more than 30 million people in cities of Asia, Europe, and North America have seen the exhibitions.