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Prometheus Bound

Autor Aeschylus Traducere de Joel Agee
en Limba Engleză Paperback – 24 mar 2015
"Prometheus Bound" is the starkest and strangest of the classic Greek tragedies, a play in which god and man are presented as radically, irreconcilably at odds. It begins with the shock of hammer blows as the Titan Prometheus is shackled to a rock in the Caucasus. This is his punishment for giving the gift of fire to humankind and for thwarting Zeus's decision to exterminate the human race. Prometheus's pain is unceasing, but he refuses to recant his commitment to humanity, to whom he has also brought the knowledge of writing, mathematics, medicine, and architecture. He hints that he knows how Zeus will be brought low in the future, but when Hermes demands that Prometheus divulge his secret, he refuses and is sent spinning into the abyss by a divine thunderbolt.
To whom does humanity look for guidance: to the supreme deity or to the rebel Titan? What law controls the cosmos? "Prometheus Bound," one of the great poetic achievements of the ancient world, appears here in a splendid new translation by Joel Agee that does full justice to the harsh and keening music of the original Greek.
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Specificații

ISBN-13: 9781590178607
ISBN-10: 1590178602
Pagini: 100
Dimensiuni: 124 x 201 x 10 mm
Greutate: 0.14 kg
Editura: NEW YORK REVIEW OF BOOKS

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Though it tells the stories of the defeated, Prometheus Bound and Other Plays features four tragedies that depict both unfortunate demises and the essence of the fighting human spirit. The Suppliants, the first play of the collection, follows the daughters of Danaus as they flee from the loveless marriages that had been forced upon them. The Persians, perhaps the oldest surviving play in existence, portrays the defeat of the Persian King Xeroxes. Though written by a Greek man who fought in the Persian war, The Persians displays a surprisingly sympathetic view of the opposing army. Next in the collection is Seven Against Thebes, which follows the battle between two brothers for the throne of Thebes. After the banishment of Oedipus, Eteocles and Adrastus, the two brothers, engaged in an epic war, fulfilling the tragic curse of the Oedipus family. The title tragedy in Prometheus Bound and Other Plays, Prometheus Bound, tells the tale of the downfall of the titian Prometheus. Before Prometheus, mankind had no advantage over the gods that ruled the heavens and Earth. Humans were forced to cower in the cold darkness, plagued by ignorance until Prometheus took pity on them. With heroic intentions, Prometheus stole fire and knowledge from Olympus and gave it to mankind. Though he brought light, warmth, and understanding to Earth, Zeus was outraged, and so began Prometheus' punishment. Featuring the oldest surviving play, legendary myths, epic battles, and humanist perspectives, Prometheus Bound and Other Plays by Aeschylus is a classic tragedy that exemplifies empathy and the human spirit even in its tales of defeat. Written by the father of tragedy, this collection is a privileged possession. This edition of Prometheus Bound and Other Plays by Aeschylus is now easier than ever to enjoy with a modern, readable font and a stunning new cover design. Witness a surprising triumph of spirit even in the face of failure with Prometheus Bound and Other Plays.


Recenzii

This is the best Prometheus Bound in English. Deborah Roberts' translation is accurate, readable, and true to the original in idiom, imagery, and the combination of a high style with occasional colloquialism. The informative notes and perceptive Introduction will help readers to experience the play with heightened pleasure and understanding. --Seth L. Schein, Professor of Comparative Literature, University of California, Davis

Notă biografică

Aeschylus (c. 525/524–456/455 BCE) was an ancient Greek tragedian who authored an estimated seventy to ninety plays, of which seven survive in their entirety. David Grene (1913–2002) taught classics for many years at the University of Chicago. He was a founding member of the Committee on Social Thought. Glenn W. Most is a visiting member of the Committee on Social Thought at the University of Chicago and an external scientific member of the Max Planck Institute for the History of Science in Berlin. Mark Griffith is the Klio Distinguished Professor Emeritus of Classical Languages and Literature and professor of classics and of theater, dance, and performance studies at the University of California, Berkeley.