Vorwort-I.Sharp:WomenandWeimarBerlin-C.Ujma:TheoriesofMasculinityandtheAvant-Garde-T.Elsaesser:TheCameraintheKitchen:GreteSchütte-LihotskyandDomesticModernity-A.Baumhoff:WomenintheBauhaus:GenderIssuesinWeimarCulture-D.Rowe:Paintingherself.LotteLasersteinbetweensubjectandobject-U.Seiderer:BetweenMinorSculptureandPrometheanCreativity.ThePositionofKätheKollwitzinWeimar'sDiscourseonArt-C.Finnan:PhotographersbetweenChallengeandConformity.Yva'sCareerandOEuvre-K.Bruns:TheavonHarbou.WritingSkillsandFilmAesthetics-J.Trimborn:LeniRiefenstahl'sCareerbeforeHitler:Success-storiesofanOutsider-C.Schönfeld:LotteReinigerandtheArtofAnimation-A.Lareau:TheBlondeLadySings.WomeninWeimarCabaret-I.C.Gil:'JedeFrauisteineTänzerin...'TheGenderofDanceinWeimarCulture-B.Maier-Katkin:AnnaSeghers,IrmgardKeun.ADiscourseonEmancipationandSocialCircumstance-C.Ujma:GabrieleTergitandBerlin:Women,CityandModernity-C.Finnan:MarieluiseFleißer'sSelf-ReflectionsontheFemaleWriter-J.Redmann:ElseLasker-SchülerversustheWeimarPublishingIndustry.Genius,Gender,Politics,andtheLiteraryMarket-J.Warren:ContrastedHeroinesinTwoPlaysbyIlseLangner.ADramatistat'Weimar'sEnd'-L.Soares:VickyBaumandGinaKaus:Vienna,Berlin,Hollywood