Postwar Revisited
Editat de Okwui Enwezor, Atreyee Guptaen Limba Engleză Hardback – 25 mar 2025
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Specificații
ISBN-13: 9781478028222
ISBN-10: 147802822X
Pagini: 360
Dimensiuni: 157 x 236 x 23 mm
Greutate: 0.79 kg
Editura: Duke University Press
ISBN-10: 147802822X
Pagini: 360
Dimensiuni: 157 x 236 x 23 mm
Greutate: 0.79 kg
Editura: Duke University Press
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Notă biografică
Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, the former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and the coauthor of numerous books and exhibition catalogs.
Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.
Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.
Cuprins
List of Illustrations xi
Preface / Atreyee Gupta xvii
Introduction / Atreyee Gupta 1
Part I. Europe in Transition
1. Creaturely Cobra / Hal Foster 19
1. Decolonizing Modernism/s: Transversal Histories and the Slade School of Fine Art / Ming Tiampo 35
Part II. The Soviet Bloc and Communist China
3. Soviet Art before and after the Thaw / Boris Groys 65
4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian Li 79
Part III. Pacific Passages, Atlantic Oscillations
5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan / Alexandra Munroe 99
6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara McDowell 119
7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the University in the Philippines / Patrick Flores 135
8. Antipodean Vision: Postwar Arts in Australia and the South Pacific / Terry Smith 155
9. IntegraciÓn plÁstica: The Postwar Synthesis of the Arts as Seen from Mexico in 1952 / Jennifer Josten 173
10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni Sorkin 195
Part IV: Decolonizing Constellations
11. Postwar Abstraction: Similarities, Differences, and Other Ophthalmologic Conundrums / Atreyee Gupta 215
12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art / Nada Shabout 237
13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi 253
14. Postwar Imaginings: NÉgritude Legacies and Thwarted Universalisms in Dakar and Paris / Elizabeth Harney 277
Bibliography 295
Contributors 321
Index
Preface / Atreyee Gupta xvii
Introduction / Atreyee Gupta 1
Part I. Europe in Transition
1. Creaturely Cobra / Hal Foster 19
1. Decolonizing Modernism/s: Transversal Histories and the Slade School of Fine Art / Ming Tiampo 35
Part II. The Soviet Bloc and Communist China
3. Soviet Art before and after the Thaw / Boris Groys 65
4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian Li 79
Part III. Pacific Passages, Atlantic Oscillations
5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan / Alexandra Munroe 99
6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara McDowell 119
7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the University in the Philippines / Patrick Flores 135
8. Antipodean Vision: Postwar Arts in Australia and the South Pacific / Terry Smith 155
9. IntegraciÓn plÁstica: The Postwar Synthesis of the Arts as Seen from Mexico in 1952 / Jennifer Josten 173
10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni Sorkin 195
Part IV: Decolonizing Constellations
11. Postwar Abstraction: Similarities, Differences, and Other Ophthalmologic Conundrums / Atreyee Gupta 215
12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art / Nada Shabout 237
13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi 253
14. Postwar Imaginings: NÉgritude Legacies and Thwarted Universalisms in Dakar and Paris / Elizabeth Harney 277
Bibliography 295
Contributors 321
Index