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Post-War Adaptations: Bloomsbury Adaptation Histories

Autor Imelda Whelehan Editat de Deborah Cartmell
en Limba Engleză Hardback – 10 iun 2027
The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.
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Specificații

ISBN-13: 9781628923902
ISBN-10: 1628923903
Pagini: 240
Ilustrații: 20 bw illus
Dimensiuni: 153 x 234 x 25 mm
Greutate: 0.45 kg
Editura: BLOOMSBURY ACADEMIC
Seria Bloomsbury Adaptation Histories

Locul publicării:New York, United States

Caracteristici

Enables students to contextualise adaptations in relation to broader social, ideological and historical contexts

Notă biografică

Imelda Whelehan teaches English and Women's Studies at De Montfort University, UK. Her publications include Overloaded (2000) and Modern Feminist Thought (1995).

Cuprins

IntroductionPart I - Looking Forward, Thinking Back: Post-War Western CultureChapter 1: Social Comment Films, Film Noir, and Neo-RealismChapter 2: Post-War/Cold War: Sci Fi and HorrorChapter 3: Myths, Fairytales and Legends for a Post-War AgePart II - Genre, Gender, IdentityChapter 4: Old Frontiers: The Western Chapter 5: Melodrama and the Woman's Film Chapter 6: Taboos and Transformations: Race, Identity and Sexuality in the Post-War AgePart III - Art Versus Mass Culture: The Uses of Literature in Adaptation and RemakingChapter 7: 'Low Art' Genres: Comedies and Musicals Chapter 8: Literary Adaptation and Social TransformationConclusionsBibliographyIndex