Plays for England: Oberon Modern Playwrights
Autor John Osborneen Limba Engleză Paperback – 6 dec 1999
But Osborne was not a conventional revolutionary; his attack on the present was in fact a mourning for the loss of past values, a stance that became clearer in his later plays. The Blood of the Bambergs, the first of the two companion "Plays for England" (1963), is a satirical account of a royal wedding. The second play, Under Plain Cover depicts a marriage in crisis that becomes a tabloid 'human interest' story. Watch it Come Down (1975) is the story of a man waiting for death, while his friends trash and scar each other around him.
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Specificații
ISBN-13: 9781840020373
ISBN-10: 1840020377
Pagini: 240
Dimensiuni: 130 x 208 x 12 mm
Greutate: 0.24 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Playwrights
Locul publicării:London, United Kingdom
ISBN-10: 1840020377
Pagini: 240
Dimensiuni: 130 x 208 x 12 mm
Greutate: 0.24 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Playwrights
Locul publicării:London, United Kingdom
Recenzii
This is children's theatre at its best. Anthony Clark's adaptation is both delightful and moving
'Anthony Clark's adaptations have become justly regarded as unmissable seasonable entertainment. A wondrous children's musical guaranteed to crack the hardest of adult hearts. No neat moral yarn, but a humorous and haunting fable' Independent
'A skilful and enchanting stage version of a 1950s classic' The Times
This is perhaps the most audacious statement ever made on the English stage
His spiritual barbarism and magnificent of contempt are doubly refreshing next to the mealy-mouthed winnowing of much over-praised contemporary playwrights
'Anthony Clark's adaptations have become justly regarded as unmissable seasonable entertainment. A wondrous children's musical guaranteed to crack the hardest of adult hearts. No neat moral yarn, but a humorous and haunting fable' Independent
'A skilful and enchanting stage version of a 1950s classic' The Times
This is perhaps the most audacious statement ever made on the English stage
His spiritual barbarism and magnificent of contempt are doubly refreshing next to the mealy-mouthed winnowing of much over-praised contemporary playwrights