Peyton Place: A Haiku Soap Opera
Autor David Trinidaden Limba Engleză Paperback – 27 aug 2013
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Specificații
ISBN-13: 9781933527819
ISBN-10: 1933527811
Pagini: 192
Dimensiuni: 123 x 188 x 13 mm
Greutate: 0.21 kg
Editura: Turtle Point Press
Locul publicării:New York, United States
ISBN-10: 1933527811
Pagini: 192
Dimensiuni: 123 x 188 x 13 mm
Greutate: 0.21 kg
Editura: Turtle Point Press
Locul publicării:New York, United States
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Notă biografică
David Trinidad’s most recent book is Dear Prudence: New and Selected Poems (Turtle Point Press, 2011). His other books include Plasticville (2000), Phoebe 2002: An Essay in Verse (with Jeffery Conway and Lynn Crosbie, 2003), The Late Show (2007), and By Myself (with D.A. Powell, 2009), all published by Turtle Point. He is also editor of A Fast Life: The Collected Poems of Tim Dlugos (Nightboat Books, 2011), which won a Lambda Literary Award. Trinidad teaches poetry at Columbia College Chicago, where he co-edits the journal Court Green and is the 2011-2013 Distinguished Faculty Scholar.
Originally from Los Angeles, Trinidad has been called “a master of the postmodern pop-culture sublime.” His work is also associated with the innovative formalism of the New York School. Alice Notley has written, “There is an unwavering light in all of Trinidad’s work that turns individual words into objects, new facts.” About The Late Show, the New York Times Book Review wrote that Trinidad’s “most impressive gift is an ability to dignify the dross of American life, to honor both the shrink-wrapped sentiment of the cultural artifacts he writes about and his own much more complicated emotional response to them.”
Originally from Los Angeles, Trinidad has been called “a master of the postmodern pop-culture sublime.” His work is also associated with the innovative formalism of the New York School. Alice Notley has written, “There is an unwavering light in all of Trinidad’s work that turns individual words into objects, new facts.” About The Late Show, the New York Times Book Review wrote that Trinidad’s “most impressive gift is an ability to dignify the dross of American life, to honor both the shrink-wrapped sentiment of the cultural artifacts he writes about and his own much more complicated emotional response to them.”