Persistent Legacy

Introduction Never Over, Over and Over - Jennifer M. Kapczynski The Voice of the Perpetrator, The Voices of the Survivors - Erin McGlothlin Teaching Holocaust Memories as Part of "Germanistik" - Stephan Braese "Aber das ist alles Vergangenheitsbewältigung": German Studies' "Holocaust Bubble" and Its Literary Aftermath - William Collins Donahue Epistemology of the Hyphen: German-Jewish-Holocaust Studies - Leslie C. Morris Writing Before the Shoah, and Reading After: Charlotte Salomon's Life? Or Theater? and Its Reception - Liliane Weissberg The Power of Paratext: Jewish Authorship and Testimonial Authority in Benjamin Stein's Die Leinwand - Katja Garloff Identifying with the Victims in the Land of the Perpetrators: Iris Hanika's Das Eigentliche and Kevin Vennemann's Nahe Jedenew - Sven Kramer Laying Claim to Painful Truths in Survivor- and Perpetrator-Family Memoirs - Irene Kacandes Pinpointing Evil: Nazi Family Photographs, Remediated - Brad Prager Felix Moeller's Harlan: Im Schatten von Jud Süss as Family Drama - David Bathrick Goebbels's Fear and Legacy: Babelsberg and Its Berlin Street as Cinematic Memory Place - Tobias Ebbrecht-Hartmann Hitler in the Age of Irony: Timur Vermes's Er ist wieder da - Michael D. Richardson Remembering Genocide in the Digital Age: The Afterlife of the Holocaust in Rwanda - Karen Remmler The Memory Work of William Kentridge's Shadow Processions and His Drawings for Projection - Andreas Huyssen Bibliography Notes on the Contributors Index