Performing Left Populism: Performance, Politics and the People: Methuen Drama Agitations: Text, Politics and Performances
Editat de Dr Goran Petrovic Lotina, Théo Aiolfi Anja Hartl, William C. Bolesen Limba Engleză Paperback – 23 ian 2025
Combining performance studies and political theory, Performing Left Populism demonstrates how various performance practices give rise to populism. It shows how both civic performances (including grassroots, civil movements, political speeches, state policies and media campaigns) and artistic performances (such as theatre, dance, music and artistic activism) contribute to these processes. By these means, the book examines the processes of constructing 'a people' through both the real/civic and imaginary/artistic perspectives.
Offering scholars and practitioners a thought-provoking analysis of the ways in which performance can be viewed politically, as a social practice capable of mobilizing alternative ways of living and invigorating democracy, this study expands the debate about left populism towards strategies of mobilization, collectivism and democratic politics.
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Specificații
ISBN-13: 9781350347083
ISBN-10: 1350347086
Pagini: 228
Ilustrații: 5 bw illus
Dimensiuni: 138 x 214 x 14 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Agitations: Text, Politics and Performances
Locul publicării:London, United Kingdom
ISBN-10: 1350347086
Pagini: 228
Ilustrații: 5 bw illus
Dimensiuni: 138 x 214 x 14 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Agitations: Text, Politics and Performances
Locul publicării:London, United Kingdom
Cuprins
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction: Performance and Left Populism
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France) and Théo Aiolfi (University of Warwick, UK)
I. Performance and Populism Theories
1. The Stylistic Approach to Populism: From Early Definitions to Interdisciplinary Hybridization
Théo Aiolfi (University of Warwick, UK)
2. American Paranoia: Trump, Sanders, and Theoretical Reflections on Researching Populism as Performance
Reid Kleinberg (University of Essex, UK)
II. Performance and Populist Leadership
3. The Democratic Productivity of Populist Bodily Representation
María Esperanza Casullo (National University of Río Negro, Argentina)
4. Performing the People: Discourses and Performances of Pablo Iglesias and Volodymyr Zelensky
Alina Mozolevska (Petro Mohyla Black Sea National University in Mykolaiv, Ukraine and UniGR-Center for Border Studies, Saarland University, Germany)
III. Performance, Populism and Artistic Practices
5. The Last Peronist Spectacle: The Argentina Pavilion at the Expo 2015 World's Fair
David M. K. Sheinin (Trent University, Canada)
6. Joyful Festivities: Happenings as a Populist Strategy in the Work of Alex Mlynarcík
Sam Cermák (Queen Mary University of London, UK)
7. Left Populism and the Revival of Demos Through Performance: Four Tasks for Practicing Democracy
Danae Theodoridou (Performance maker and researcher, Fontys University of Applied Sciences, the Netherlands)
IV. Further Perspectives on Performance and Populism
8. Populism and Populism Research. A Conversation with Yannis Stavrakakis
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France)
Index
Notes on Contributors
Acknowledgements
Introduction: Performance and Left Populism
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France) and Théo Aiolfi (University of Warwick, UK)
I. Performance and Populism Theories
1. The Stylistic Approach to Populism: From Early Definitions to Interdisciplinary Hybridization
Théo Aiolfi (University of Warwick, UK)
2. American Paranoia: Trump, Sanders, and Theoretical Reflections on Researching Populism as Performance
Reid Kleinberg (University of Essex, UK)
II. Performance and Populist Leadership
3. The Democratic Productivity of Populist Bodily Representation
María Esperanza Casullo (National University of Río Negro, Argentina)
4. Performing the People: Discourses and Performances of Pablo Iglesias and Volodymyr Zelensky
Alina Mozolevska (Petro Mohyla Black Sea National University in Mykolaiv, Ukraine and UniGR-Center for Border Studies, Saarland University, Germany)
III. Performance, Populism and Artistic Practices
5. The Last Peronist Spectacle: The Argentina Pavilion at the Expo 2015 World's Fair
David M. K. Sheinin (Trent University, Canada)
6. Joyful Festivities: Happenings as a Populist Strategy in the Work of Alex Mlynarcík
Sam Cermák (Queen Mary University of London, UK)
7. Left Populism and the Revival of Demos Through Performance: Four Tasks for Practicing Democracy
Danae Theodoridou (Performance maker and researcher, Fontys University of Applied Sciences, the Netherlands)
IV. Further Perspectives on Performance and Populism
8. Populism and Populism Research. A Conversation with Yannis Stavrakakis
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France)
Index
Recenzii
Performing Left Populism will ignite lively debates concerning the role performance studies can play in political science scholarship and media analysis of current affairs. Situating performance-in the broadest sense of the word-as a vital practice of civic engagement undergoing a messy yet vibrant revival in reaction against the technocratic, neoliberal orthodoxy which has dominated western public discourse for over four decades, is its most significant contribution to cross-disciplinary political scholarship.