This book is an account of the striking parallelism between the symbolic significance of the Pantheon and the life and thought of Paul Chenavard. More broadly, it illuminates the relationship of every artist to his environment. Chenavard was the only painter to attempt a complete exemplification of the epic idea that is found in the writings of such men as Hugo, Ballanche, and Quinet.Originally published in 1962.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.