Pasolini’s Lasting Impressions: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
Editat de Ryan Calabretta-Sajder Contribuţii de Virginia Agostinelli, Fabio Benincasa, Francesca D’Alessandro Behr, Daniela Bini, Millicent Marcus, Fulvio Orsitto, Flaviano Pisanelli, Francesco Rosetti, Daniela Privitera, Ilaria Lanzarini, Giulia Tellini, William Van Watsonen Limba Engleză Paperback – 7 iul 2020
Pasolini's Lasting Impressions: Death, Eros and Literary Enterprise in the Opus of Pier Paolo Pasolini thus explores the civic poet's oeuvre in four parts: poetry, theatre, film, and culture. Although the collection does not include every genre in which Pasolini wrote, it addresses many, some which often receive little or no attention, particularly in Italian Studies of North America. The underlining theme of the book, 'death, eros and literary enterprise' intertwines these genres in a rather unique way, allowing for inter-disciplinary interpretations to Pasolini's rich opus.
The edited volume concludes with two artists, Dacia Maraini and Ominio71's reflections on Pasolini in the 21st century. In fact, the cover represents a recent work on Ominio71 underscoring Pasolini's visual presence still within the Roman walls. In conclusion, this collection demonstrates how his works still influence contemporary Italian society and motivate intellectual dialogue through new theoretical outlooks on Pasolini's oeuvre.
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Specificații
ISBN-13: 9781683930204
ISBN-10: 1683930207
Pagini: 266
Dimensiuni: 154 x 219 x 20 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Fairleigh Dickinson University Press
Locul publicării:New York, United States
ISBN-10: 1683930207
Pagini: 266
Dimensiuni: 154 x 219 x 20 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Fairleigh Dickinson University Press
Locul publicării:New York, United States
Cuprins
Acknowledgments
Introduction: Pasolini Studies-Forty Years in the Making
Ryan Calabretta-Sajder
Part 1: Pier Paolo Pasolini and Verse
1Pasolini's Poetry: The Language of the Mother
Daniela Bini
2Jesus Narcissus: Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse
William Van Watson
3Poetic Gazing: The "Word-Eye" in the Poetry of Pier Paolo Pasolini
Flaviano Pisanelli
Part 2: Pasolini and the Stage
4Pasolini's Orestiade, the Irrational and Greek Tragedy
Francesca D'Alessandro Behr
5Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini's Caldéron
Ryan Calabretta-Sajder
Part 3: Pasolini through the Lens
6Il "cinema di poesia" from Theory to Practice: The Case of Edipo Re
Millicent Marcus
7Violence in Pier Paolo Pasolini's Cinema
Francesco Rosetti
8The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini's Last Work
Fabio Benincasa
9Oedipus and Medea According to Pasolini
Giulia Tellini
10Pasolini's Deca
Introduction: Pasolini Studies-Forty Years in the Making
Ryan Calabretta-Sajder
Part 1: Pier Paolo Pasolini and Verse
1Pasolini's Poetry: The Language of the Mother
Daniela Bini
2Jesus Narcissus: Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse
William Van Watson
3Poetic Gazing: The "Word-Eye" in the Poetry of Pier Paolo Pasolini
Flaviano Pisanelli
Part 2: Pasolini and the Stage
4Pasolini's Orestiade, the Irrational and Greek Tragedy
Francesca D'Alessandro Behr
5Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini's Caldéron
Ryan Calabretta-Sajder
Part 3: Pasolini through the Lens
6Il "cinema di poesia" from Theory to Practice: The Case of Edipo Re
Millicent Marcus
7Violence in Pier Paolo Pasolini's Cinema
Francesco Rosetti
8The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier Paolo Pasolini's Last Work
Fabio Benincasa
9Oedipus and Medea According to Pasolini
Giulia Tellini
10Pasolini's Deca
Recenzii
If only for the breathtakingly magisterial essay by Millicent Marcus on Pasolini's long-misunderstood concept of "the cinema of poetry," or Van Watson's virtuostic take on the clash in both life and art between Pasolini's narcissistic eros and sacrificial death wish, this volume would have more than repaid the price of admission. But it contains much, much more: many additional new and quite original readings of Pasolini's poetry, theater, cinema, and civic engagement, gathered together with admirable passion and care by editor Ryan Calabretta-Sajder There are many gems herein, including interviews with the Roman street artist Omino71 and the grande dame of Italian letters Dacia Maraini, who knew and loved the irreplaceable Pasolini, as we go on trying to know his work but love it effortlessly and for good.
Pasolini's Lasting Impressions is a compelling collection that revisits Pasolini's work in different genres to connect his 20th century impegno with contemporary sociocultural concerns. Calabretta-Sajder gathers the voices of experts and newcomers to Pasolini studies to offer a fresh comprehensive perspective on the author's ideological impetus and artistic message.
Pasolini's Lasting Impressions captures the complexity of the Pasolini legacy four decades after his death and makes a compelling case for continued research into his many and varied artistic endeavors. Featuring exciting contributions by renowned scholars alongside new voices from three continents, the collection covers the genres represented in Pasolini's oeuvre-poetry, cinema, theater, and fiction-and shows that his cultural influence extends well into the 21st century. Ryan Calabretta-Sajder's exhaustive yet agile volume adds a fresh chapter to the remarkable body of scholarship on Pasolini.
Pasolini's Lasting Impressions is a compelling collection that revisits Pasolini's work in different genres to connect his 20th century impegno with contemporary sociocultural concerns. Calabretta-Sajder gathers the voices of experts and newcomers to Pasolini studies to offer a fresh comprehensive perspective on the author's ideological impetus and artistic message.
Pasolini's Lasting Impressions captures the complexity of the Pasolini legacy four decades after his death and makes a compelling case for continued research into his many and varied artistic endeavors. Featuring exciting contributions by renowned scholars alongside new voices from three continents, the collection covers the genres represented in Pasolini's oeuvre-poetry, cinema, theater, and fiction-and shows that his cultural influence extends well into the 21st century. Ryan Calabretta-Sajder's exhaustive yet agile volume adds a fresh chapter to the remarkable body of scholarship on Pasolini.