Objects of Liberty: British Women Writers and Revolutionary Souvenirs: EARLY MODERN FEMINISMS
Autor Pamela Bucken Limba Engleză Hardback – 15 mar 2024 – vârsta ani
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Specificații
ISBN-13: 9781644533338
ISBN-10: 1644533332
Pagini: 202
Ilustrații: 13 color and 13 b-w images
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.07 kg
Editura: University of Delaware Press
Colecția University of Delaware Press
Seria EARLY MODERN FEMINISMS
ISBN-10: 1644533332
Pagini: 202
Ilustrații: 13 color and 13 b-w images
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.07 kg
Editura: University of Delaware Press
Colecția University of Delaware Press
Seria EARLY MODERN FEMINISMS
Notă biografică
PAMELA BUCK is associate professor of English at Sacred Heart University in Fairfield, Connecticut. Her research focuses primarily on women’s writing and material culture in late eighteenth- and early nineteenth-century British literature.
Cuprins
List of Figures
Acknowledgments
Introduction
1. Helen Maria Williams’ Sentimental Objects in Letters from France
2. Mary Wollstonecraft and Political Spectacle in An Historical and Moral View of the French Revolution
3. Imperial Collecting in Catherine and Martha Wilmot’s Travel Journals
4. Charlotte Eaton’s Battlefield Relics in Narrative of a Residence in Belgium
Conclusion: Refiguring the Revolution in Mary Shelley’s Rambles in Germany and Italy
Notes
Bibliography
Index
Acknowledgments
Introduction
1. Helen Maria Williams’ Sentimental Objects in Letters from France
2. Mary Wollstonecraft and Political Spectacle in An Historical and Moral View of the French Revolution
3. Imperial Collecting in Catherine and Martha Wilmot’s Travel Journals
4. Charlotte Eaton’s Battlefield Relics in Narrative of a Residence in Belgium
Conclusion: Refiguring the Revolution in Mary Shelley’s Rambles in Germany and Italy
Notes
Bibliography
Index
Descriere
Objects of Liberty explores the prevalence of souvenirs in six British women’s travel accounts of the French Revolution and Napoleonic era. Using a methodology informed by literary, gender, and material culture studies, it argues that women writers employed the souvenir to circulate political ideas and contribute to conversations about individual and national identity.