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Notes from Underground

Autor Fyodor Mikhailovich Dostoevsky, Fyodor Dostoyevsky
en Limba Engleză Paperback – 5 mar 2009
The passionate confessions of a suffering soul; the brutal self-loathing of a tormented man; the scathing scorn of an alienated antihero who has become one of the greatest figures in all literature. Notes from Underground, published in 1864, introduces the moral, political, and social ideas Dostoevsky later explores in such masterpieces as Crime and Punishment, The Idiot, and The Brothers Karamazov
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Specificații

ISBN-13: 9789562910040
ISBN-10: 9562910040
Pagini: 136
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.21 kg
Editura: www.bnpublishing.net
Locul publicării:United Kingdom

Notă biografică

Fyodor Mikhailovich Dostoyevsky (1821 - 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the troubled political, social and spiritual atmosphere of 19th-century Russia and engage with a variety of philosophical and religious themes. He began writing in his 20s and his first novel, Poor Folk, was published in 1846 when he was 25. Dostoevsky's major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). His oeuvre consists of 11 novels, three novellas, 17 short novels and numerous other works. Many literary critics rate him as one of the greatest psychologists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.

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A bold new translation of a literary classic. / One of the most profound and most unsettling works of modern literature, Notes from Underground (first published in 1864) remains a cultural and literary watershed. In these pages Dostoevsky unflinchingly examines the dark, mysterious depths of the human heart. The Underground Man so chillingly depicted here has become an archetypal figure loathsome and prophetic in contemporary culture. / This vivid new rendering by Boris Jakim is more faithful to Dostoevskys original Russian than any previous translation; it maintains the coarse, vivid language underscoring the visceral experimentalism that made both the book and its protagonist groundbreaking and iconic.