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Nolan

Editat de Denise Mimmocchi
en Limba Engleză Hardback – 17 dec 2026
Nolan: Origins explores the astounding creativity and poetic power of Sidney Nolan in this in-depth survey of the artist's formative years in Australia. From indelible visions of the outlaw Ned Kelly to epic portrayals of Central Australia, Nolan redefined perceptions of place and nation in Australia's cultural imagination.

Including his infamous series of paintings on bushranger Ned Kelly (1946-47), the exhibition and the associated publication brings together around 140 major works produced before Nolan relocated to the United Kingdom in 1953 - years in which he forged a reputation as one of this country's most distinctive modernist artists.

Along with an in-depth essay by exhibition curator Denise Mimmocchi, the book features new writing by Lesley Harding, Scott Elliot, Kendrah Morgan, Deborah Edwards, Peta Clancy, Daniel Browning, Paul Daley, Monique Leslie Watkins and Justin Paton. The writers examine the artist's engagement with the places he painted as he evolved his singular, enigmatic visual language, including St Kilda, Wimmera, K'gari (also Fraser Island), Central Australia and the landscapes of Ned Kelly's story in north-eastern Victoria.

Published in association with a major exhibition at the Art Gallery of New South Wales in Sydney, Nolan: Origins features over 140 works from 1936 to 1953.
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Specificații

ISBN-13: 9781741741858
ISBN-10: 1741741858
Pagini: 292
Dimensiuni: 222 x 284 x 34 mm
Editura: ART GALLERY OF NEW SOUTH WALES

Notă biografică

Denise Mimmocchi is senior curator of Australian art at the Art Gallery of New South Wales. Her recent exhibitions and publications include Janet Dawson: Far Away, So Close (2025), Margel Hinder: Modern in Motion (2021), Tuckson: The Abstract Sublime (2018) and O'Keeffe, Cossington Smith, Preston: Making Modernism (co-curator, 2016).

Daniel Browning is an award-winning Bundjalung and Kullilli writer, journalist, radio broadcaster and cultural critic. Currently the inaugural Professor of Indigenous Cultural and Creative Industries at the University of Sydney, he was previously Editor Indigenous Radio at the Australian Broadcasting Corporation managing flagship programs Awaye! and Speaking out and host of The art show on ABC Radio National.

Lesley Harding is artistic director at the Heide Museum of Modern Art, Melbourne. Her writing has appeared in Art and Australia, Art Monthly Australia, Artlink and Meanjin. She is the co-author of the 2009 publication Cubism and Australian art (with Sue Cramer), Melbourne University Publishing.

Scott Elliot is assistant curator of Australian art at the Art Gallery of New South Wales. He was curator of the Dobell Australian Drawing Biennial 2026. His recent writing has been published in Dangerously Modern: Australian Women Artists in Europe 1890-1940 (2025) and The National 4: Australian Art Now (2023).

Kendrah Morgan is head curator at the Heide Museum of Modern Art, Melbourne. She has co-authored two books about Heide history: Sunday's kitchen: food and living at Heide (2010) and Sunday's garden: growing Heide (2012), both published by Melbourne University Publishing in partnership with Heide Museum of Modern Art and the State Library of Victoria.

Peta Clancy is a descendant of the Yorta Yorta people. She is a visual artist and senior lecturer of fine art at Monash University, Melbourne. Working predominantly with photography, she creates work performatively with and on Country.

Deborah Edwards is former senior curator of Australian art at the Art Gallery of New South Wales. She has extensively researched, exhibited and published on the work of twentieth-century Australian painters and sculptors. Her major curated exhibitions and publications include Sydney Moderns: Art for a New World, Margaret Preston: Art and Life; Bertram Mackennal and Rosalie Gascoigne: Material as Landscape.

Paul Daley is an author, journalist and essayist. He has written extensively about Australian history, national identity, myth-making and Indigenous culture. His books include The leap (2025), Jesustown (2022), Canberra (2020) and Beersheba: travels through a forgotten Australian history (2017).

Monique Leslie Watkins is assistant curator of Australian art at the Art Gallery of New South Wales. She was curator of the exhibition Raquel Caballero: The Patchwork Portal (2025). Her writing was recently published in Dangerously Modern: Australian Women Artists in Europe 1890-1940 (2025) and Janet Dawson: Far Away, So Close (2025).

Justin Paton is chief curator at the Art Gallery of New South Wales. His projects for the Art Gallery have included Mike Hewson: The Key's Under the Mat (2025), Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? (2023) and Adrián Villar Rojas: The End of Imagination (2022).

Cuprins

Director's foreword
Maud Page

Sidney Nolan: origins
Denise Mimmocchi

Heide: love and enigma
Lesley Harding

Boy swallowed by the moon: Luna Park
Scott Elliot

Suspended at high noon: 'Kiata' 1943
Kendrah Morgan

Nolan and Ned
Lesley Harding

Undercurrent
Peta Clancy

Uncanny visions: the Fraser Island series
Deborah Edwards

Burke and Wills
Paul Daley

Up in the air: Nolan's religious paintings
Justin Paton

Drought and regeneration
Monique Leslie Watkins

Reckoning with an icon
Daniel Browning

Plates

List of works

Image credits

Acknowledgements

Contributors