In Nighthawks, Lisa Martin traces a creaturely interconnectedness, traversing land, ecology, and other boundaries amid crises unfolding at a global scale. These poems parse aspects of human embodiment—emotion, relationship, mortality—and reflect on how to live through moments of intense personal and political upheaval. Long verses about the remnants of marriage and divorce, and a sonnet cycle about the Myers-Briggs Type Indicator, sit alongside lyrical explorations of midlife loneliness, mothering, and grief. Philosophical ruminations on form and language are also present, asking what good is a poem, a verse, in a world so full of things one might hold an aversion to? “What if I write a line, follow it in, what if / the line tears what I didn’t mean to open?” Martin’s experimental collection engages in exquisite emotional truth-telling, asking how we can hold and tend the world with more attunement and care.