Muqarnas, Volume 30
Editat de Necipo&en Limba Engleză Legat în piele – 13 dec 2013
In this thirtieth-anniversary issue of Muqarnas, various scholars provide their thoughts on the publication’s impact on the field of Islamic art. The volume contains articles on historiographical issues as well as others that emphasize the multicultural expansion of the field. There are also essays on Timurid and Safavid manuscript painting and al-Hariri’s Maqāmāt.
Authors include Benedict Cuddon, Silvia Armando, Ayşin Yoltar-Yıldırım, D. Fairchild Ruggles, Jennifer Pruitt, Peter Christensen, David J. Roxburgh, Abolala Soudavar, and Lâle Uluç, with contributions to the “Notes and Sources” section by Serpil Bağcı, Gülru Necipoğlu, and Ebba Koch.
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Specificații
ISBN-13: 9789004255760
ISBN-10: 9004255761
Pagini: 390
Dimensiuni: 210 x 270 x 27 mm
Greutate: 1.58 kg
Editura: Brill
ISBN-10: 9004255761
Pagini: 390
Dimensiuni: 210 x 270 x 27 mm
Greutate: 1.58 kg
Editura: Brill
Notă biografică
Gülru Necipoğlu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.
Cuprins
CONTENTS
Gülru Necipoğlu, Reflections on Thirty Years of Muqarnas
Benedict Cuddon, A Field Pioneered by Amateurs: The Collecting and Display of Islamic Art in Early Twentieth-Century Boston
Silvia Armando, Ugo Monneret de Villard (1881–1954) and the Establishment of Islamic Art Studies In Italy
Ayşin Yoltar-Yildirim, Raqqa: The Forgotten Excavation of an Islamic Site in Syria by the Ottoman Imperial Museum in the Early Twentieth Century
D. Fairchild Ruggles, At the Margins of Architectural and Landscape History: The Rajputs of South Asia
Jennifer Pruitt, Methodi in Madness: Recontextualizing the Destruction of Churches in the Fatimid Era
Peter Christensen, “As if she were Jerusalem”: Placemaking in Sephardic Salonica
David J. Roxburgh, In Pursuit of Shadows: Al-Hariri’s Maqāmāt
Abolala Soudavar, The Patronage of the Vizier Mirza Salman
Lâle Uluç, An Iskandarnāma of Nizami Produced for Ibrahim Sultan
NOTES AND SOURCES
Serpil Bağci, Presenting Vaṣṣāl Kalender’s Works: The Prefaces of Three Ottoman Albums
Gülru Necipoğlu, “Virtual Archaeology” in Light of a New Document on the Topkapı Palace’s Waterworks and Earliest Buildings, circa 1509
Ebba Koch, The Wooden Audience Halls of Shah Jahan: Sources and Reconstruction
Gülru Necipoğlu, Reflections on Thirty Years of Muqarnas
Benedict Cuddon, A Field Pioneered by Amateurs: The Collecting and Display of Islamic Art in Early Twentieth-Century Boston
Silvia Armando, Ugo Monneret de Villard (1881–1954) and the Establishment of Islamic Art Studies In Italy
Ayşin Yoltar-Yildirim, Raqqa: The Forgotten Excavation of an Islamic Site in Syria by the Ottoman Imperial Museum in the Early Twentieth Century
D. Fairchild Ruggles, At the Margins of Architectural and Landscape History: The Rajputs of South Asia
Jennifer Pruitt, Methodi in Madness: Recontextualizing the Destruction of Churches in the Fatimid Era
Peter Christensen, “As if she were Jerusalem”: Placemaking in Sephardic Salonica
David J. Roxburgh, In Pursuit of Shadows: Al-Hariri’s Maqāmāt
Abolala Soudavar, The Patronage of the Vizier Mirza Salman
Lâle Uluç, An Iskandarnāma of Nizami Produced for Ibrahim Sultan
NOTES AND SOURCES
Serpil Bağci, Presenting Vaṣṣāl Kalender’s Works: The Prefaces of Three Ottoman Albums
Gülru Necipoğlu, “Virtual Archaeology” in Light of a New Document on the Topkapı Palace’s Waterworks and Earliest Buildings, circa 1509
Ebba Koch, The Wooden Audience Halls of Shah Jahan: Sources and Reconstruction