Muqarnas, Volume 29
Editat de Necipo&en Limba Engleză Legat în piele – 9 noi 2012
Muqarnas 29 features a subset of articles involving cross-cultural interactions between East and West as manifested in the visual culture of the region. Articles addressing this theme include “Visual Cosmopolitanism and Creative Translation: Artistic Conversations with Renaissance Italy in Mehmed II’s Constantinople,” by Gülru Necipoğlu, and “The Bride of Trebizond: Turks And Turkmens on a Florentine Wedding Chest, circa 1460,” by Cristelle Baskins. The “Notes and Sources” section highlights new research on the medieval town of Hulbuk in Central Asia.
Contributors include: Gülru Necipoğlu, Cristelle Baskins, Ana Pulido-Rull, Matt D. Saba, Jasmin Badr, Mustafa Tupev, Ünver Rustem, Ethem Eldem and Pierre Siméon.
Preț: 452.79 lei
Puncte Express: 679
Preț estimativ în valută:
80.07€ • 93.97$ • 69.45£
80.07€ • 93.97$ • 69.45£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Specificații
Notă biografică
Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.
Cuprins
Editor’s Foreword
Gülru Necipoğlu, VISUAL COSMOPOLITANISM AND CREATIVE TRANSLATION: ARTISTIC CONVERSATIONS WITH RENAISSANCE ITALY IN MEHMED II’S CONSTANTINOPLE
Cristelle Baskins, THE BRIDE OF TREBIZOND: TURKS AND TURKMENS ON A FLORENTINE WEDDING CHEST, CIRCA 1460
Ana Pulido-Rull, A PRONOUNCEMENT OF ALLIANCE: AN ANONYMOUS ILLUMINATED VENETIAN MANUSCRIPT FOR SULTAN SÜLEYMAN
Suzan Yalman, ʿALA AL-DIN KAYQUBAD ILLUMINATED: A RUM SELJUQ SULTAN AS COSMIC RULER
Matthew D. Saba, ABBASID LUSTERWARE AND THE AESTHETICS OF ʿAJAB
Jasmin Badr and Mustafa Tupev, THE KHOJA ZAINUDDIN MOSQUE IN BUKHARA
Ünver Rüstem, THE AFTERLIFE OF A ROYAL GIFT: THE OTTOMAN INSERTS OF THE SHĀHNĀMA-I SHĀH̛Ī
Edhem Eldem, MAKING SENSE OF OSMAN HAMDI BEY AND HIS PAINTINGS
Notes and Sources
Pierre Siméon, HULBUK: ARCHITECTURE AND MATERIAL CULTURE OF THE CAPITAL OF THE BANIJURIDS IN CENTRAL ASIA (NINTH–ELEVENTH CENTURIES)
Gülru Necipoğlu, VISUAL COSMOPOLITANISM AND CREATIVE TRANSLATION: ARTISTIC CONVERSATIONS WITH RENAISSANCE ITALY IN MEHMED II’S CONSTANTINOPLE
Cristelle Baskins, THE BRIDE OF TREBIZOND: TURKS AND TURKMENS ON A FLORENTINE WEDDING CHEST, CIRCA 1460
Ana Pulido-Rull, A PRONOUNCEMENT OF ALLIANCE: AN ANONYMOUS ILLUMINATED VENETIAN MANUSCRIPT FOR SULTAN SÜLEYMAN
Suzan Yalman, ʿALA AL-DIN KAYQUBAD ILLUMINATED: A RUM SELJUQ SULTAN AS COSMIC RULER
Matthew D. Saba, ABBASID LUSTERWARE AND THE AESTHETICS OF ʿAJAB
Jasmin Badr and Mustafa Tupev, THE KHOJA ZAINUDDIN MOSQUE IN BUKHARA
Ünver Rüstem, THE AFTERLIFE OF A ROYAL GIFT: THE OTTOMAN INSERTS OF THE SHĀHNĀMA-I SHĀH̛Ī
Edhem Eldem, MAKING SENSE OF OSMAN HAMDI BEY AND HIS PAINTINGS
Notes and Sources
Pierre Siméon, HULBUK: ARCHITECTURE AND MATERIAL CULTURE OF THE CAPITAL OF THE BANIJURIDS IN CENTRAL ASIA (NINTH–ELEVENTH CENTURIES)