Modern Methods for Musicology: Prospects, Proposals, and Realities: Digital Research in the Arts and Humanities
Editat de Tim Crawford, Lorna Gibsonen Limba Engleză Hardback – 28 iul 2009
Din seria Digital Research in the Arts and Humanities
- 18%
Preț: 1116.57 lei -
Preț: 486.92 lei - 15%
Preț: 466.30 lei - 15%
Preț: 435.45 lei - 15%
Preț: 489.99 lei -
Preț: 437.63 lei -
Preț: 446.61 lei -
Preț: 405.86 lei - 15%
Preț: 440.15 lei -
Preț: 423.21 lei - 18%
Preț: 1150.52 lei - 18%
Preț: 1115.87 lei - 15%
Preț: 439.07 lei - 15%
Preț: 462.55 lei - 15%
Preț: 456.99 lei -
Preț: 436.23 lei -
Preț: 441.32 lei -
Preț: 363.71 lei - 18%
Preț: 1156.54 lei -
Preț: 435.13 lei -
Preț: 382.27 lei - 15%
Preț: 439.90 lei - 18%
Preț: 1116.77 lei -
Preț: 423.44 lei -
Preț: 437.63 lei - 18%
Preț: 1111.68 lei -
Preț: 464.72 lei - 18%
Preț: 1112.48 lei - 18%
Preț: 1252.93 lei -
Preț: 414.25 lei - 18%
Preț: 1003.12 lei - 18%
Preț: 1153.25 lei -
Preț: 417.45 lei
Preț: 1098.50 lei
Preț vechi: 1462.62 lei
-25%
Puncte Express: 1648
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Specificații
ISBN-13: 9780754673026
ISBN-10: 0754673022
Pagini: 216
Dimensiuni: 156 x 234 mm
Greutate: 0.56 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Digital Research in the Arts and Humanities
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754673022
Pagini: 216
Dimensiuni: 156 x 234 mm
Greutate: 0.56 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Digital Research in the Arts and Humanities
Locul publicării:Oxford, United Kingdom
Notă biografică
Tim Crawford is Senior Lecturer in Computational Musicology at Goldsmiths, University of London. He is the UK coordinator and co-founder of the OMRAS (Online Music Recognition and Searching) project. Lorna Gibson is a Divisional Manager at the University College London, UK.
Cuprins
1: Introduction; 2: Computer Representation of Music in the Research Environment; 3: Digital Critical Editions of Music: A Multidimensional Model; 4: Filling Gaps between Current Musicological Practice and Computer Technology at IRCAM; 5: The Computer and the Singing Voice; 6: Mapping the Use of ICT in Creative Music Practice; 7: On the Use of Computational Methods for Expressive Music Performance; 8: Understanding the Capabilities of ICT Tools for Searching, Annotation and Analysis of Audio-visual Media; 9: Audio Tools for Music Discovery; 10: ‘What was the question?’: Music Analysis and the Computer
Descriere
Written by leading experts, this volume provides a picture of the realities of current ICT use in musicology as well as prospects and proposals for how it could be fruitfully used in the future. This volume highlights the breadth and inter-disciplinary nature of the subject, providing a valuable resource to technologists, musicologists, musicians and music educators.